Scientific Department, Fondazione IRCCS Istituto Neurologico Carlo Besta, Milan, Italy.
Brain Res Bull. 2010 Aug 30;83(1-2):23-8. doi: 10.1016/j.brainresbull.2010.06.011. Epub 2010 Jun 30.
Previous studies have demonstrated that the event-related potential (ERP) evoked by a note shows substantial differences depending on whether the note is part of a melodic context or presented in an unstructured repetition. In particular, the N2 component has been found to have considerably increased latency and a more frontal topography for notes presented in a melody. An open question is whether such effect is related to the 'meaningfulness' of a note sequence, that is due to the formation of abstract melodic entities, rather than more simply an indicator of cognitive load associated with processing a structurally-complex sequence as opposed to an unstructured repetition. In this study, we addressed this issue by recording ERPs from 10 healthy non-musicians listening to eight one-part unfamiliar tonal melodies and eight sequences of random notes. The two stimuli were matched for distribution of pitch, intervals and note duration as well as for entropy of the time-series of pitch and duration. While tonal melodies were rated more meaningful (p<0.001) and pleasant (p<0.001) by all participants, no effects were found for the N2 component amplitude (p> or =0.8) and latency (p=0.2). Combined with previous findings, this indicates that the N2 evoked by each individual note responds to the structural complexity of the note sequence, i.e., to the presence of pitch and duration changes, but not to higher-level processing related to the formation of abstract melodic entities. In contrast, we found that the amplitude of the P2 component was marginally (p=0.04) elevated for random notes as compared to tonal melodies. This may be related to attentional modulation, or more specifically to associative components of auditory processing.
先前的研究表明,音符诱发的事件相关电位(ERP)会根据音符是否属于旋律语境或呈现无结构重复而表现出显著差异。特别是,人们发现 N2 成分的潜伏期显著延长,且在呈现旋律时具有更额前的拓扑结构。一个悬而未决的问题是,这种效应是否与音符序列的“意义”有关,即是否由于形成了抽象的旋律实体,而不仅仅是处理结构复杂的序列而非无结构重复时与认知负荷相关的指标。在这项研究中,我们通过记录 10 名健康非音乐家在聆听 8 首单声部不熟悉的调性旋律和 8 个随机音符序列时的 ERP 来解决这个问题。这两个刺激在音高分布、音程和音符持续时间以及音高和持续时间时间序列的熵方面相匹配。虽然所有参与者都认为调性旋律更有意义(p<0.001)和愉快(p<0.001),但 N2 成分的振幅(p>或=0.8)和潜伏期(p=0.2)没有发现任何影响。与之前的发现相结合,这表明每个单独音符诱发的 N2 会对音符序列的结构复杂性做出反应,即对音高和持续时间变化的存在做出反应,但不会对与抽象旋律实体形成相关的更高层次的处理做出反应。相比之下,我们发现与调性旋律相比,随机音符的 P2 成分的振幅略有升高(p=0.04)。这可能与注意力调节有关,或者更具体地说与听觉处理的联想成分有关。