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对歌曲的了解如何影响“旋律”与在右手掌和左手掌敲击的节奏序列的匹配。

How knowledge of the song influences the matching of "melodies" to rhythm sequences tapped in the right and left palms.

作者信息

O'Boyle M W, Bormann L, Harts K

机构信息

Department of Psychology, Iowa State University, Ames.

出版信息

Cortex. 1990 Dec;26(4):639-42. doi: 10.1016/s0010-9452(13)80312-7.

Abstract

Previous work by O'Boyle and Sanford (1988) has demonstrated that the right hemisphere (RH) is superior to the left hemisphere (LH) in the matching of tape-recorded melodies to rhythm sequences tapped in the palms of the hands. This asymmetrical advantage was attributed to a RH superiority in the perceptual processing of intonation as compared to the rhythm component of these musical stimuli. In the present study, subjects were taught that the monotone sound of two wooden drumsticks struck together in a specified rhythm actually represented non-melodic translations of songs with identifiable melodies. After such mental associations had been formed, these non-melodic stimuli (which produced no asymmetric performance in Exp. 2 of the O'Boyle and Sanford study), now produced a RH advantage that was comparable to that induced by the original melodies. This finding suggests that the physical presence of intonation and its subsequent perceptual analysis, are not necessarily critical to the RH advantage reported by O'Boyle and Sanford (1988). Rather, the asymmetry may be related to a superior ability of the RH to generate and/or manipulate echoic images in memory.

摘要

奥博伊尔和桑福德(1988年)之前的研究表明,在将录制的旋律与用手掌敲击的节奏序列进行匹配方面,右半球(RH)优于左半球(LH)。这种不对称优势归因于与这些音乐刺激的节奏成分相比,右半球在语调感知处理方面的优越性。在本研究中,受试者被教导,以特定节奏一起敲击两根木鼓槌发出的单调声音实际上代表了具有可识别旋律的歌曲的非旋律转译。在形成这种心理联想后,这些非旋律刺激(在奥博伊尔和桑福德研究的实验2中没有产生不对称表现),现在产生了与原始旋律诱导的优势相当的右半球优势。这一发现表明,语调的实际存在及其随后的感知分析,不一定是奥博伊尔和桑福德(1988年)所报告的右半球优势的关键因素。相反,这种不对称可能与右半球在记忆中生成和/或操纵回声图像的卓越能力有关。

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