Department of Sociology, London School of Economics and Political Science, UK.
Br J Sociol. 2011 Jun;62(2):201-20. doi: 10.1111/j.1468-4446.2011.01361.x.
Based on a recent empirical project on 'the Bengal diaspora', the paper explores the construction and contestation of meanings around the iconic East London street, Brick Lane. Taking the 2006 protests around the film Brick Lane as its starting point, the paper draws on original interviews conducted in 2008 with a range of Bengali community representatives, to examine the narratives of space, community and belonging that emerge around the idea of Brick Lane as the 'cultural heartland' of the British Bangladeshi community. By exploring the representation, production and contestation of 'social space' through everyday practices, the paper engages with and contests the representation of minority ethnic 'communities' in the context of contemporary multicultural London and examines the process of 'claiming' and 'making' space in East London. In so doing, the paper contributes to a critical tradition that challenges essentialising and pathologizing accounts of ethnic communities and racialized spaces, or that places them outside of broader social and historical processes - redolent, for example, in contemporary discussions about 'parallel lives' or 'the clash of civilizations'. By contrast, this paper views social space as made through movement and narration, with a particular emphasis on the social agency of local Bengali inhabitants and the multiple meanings that emerge from within this 'imagined community'. However, rather than simply stressing the unfinished and processual nature of spatial meanings, the paper insists on the historical, embodied and affective dimensions of such meaning making, and a reckoning with the broader social and political landscape within which such meanings take shape. The focus on Brick Lane provides an empirically rich, geographically and historically located lens through which to explore the complex role of ethnicity as a marker of social space and of spatial practices of resistance and identity. By exploring Bengali Brick Lane through its narratives of past, present and future, these stories attest to the symbolic and emotional importance of such spaces, and to their complex imaginings.
基于最近一个关于“孟加拉散居”的实证项目,本文探讨了围绕标志性的东伦敦布里克巷(Brick Lane)的意义构建和争议。本文以 2006 年围绕电影《布里克巷》的抗议活动为起点,利用 2008 年对一系列孟加拉社区代表进行的原始访谈,考察了围绕布里克巷作为英国孟加拉社区“文化中心”的空间、社区和归属感叙事。通过探索日常实践中的“社会空间”的表现、生产和争议,本文参与并挑战了当代多元文化伦敦背景下少数族裔“社区”的代表性,并考察了在东伦敦“声称”和“创造”空间的过程。这样,本文为一个批判性传统做出了贡献,该传统挑战了对族裔社区和种族化空间的本质主义和病态化的描述,或者将其置于更广泛的社会和历史进程之外——例如,在当代关于“平行生活”或“文明冲突”的讨论中。相比之下,本文将社会空间视为通过运动和叙述而产生的,特别强调当地孟加拉居民的社会能动性以及这种“想象中的社区”中产生的多种意义。然而,本文并不简单地强调空间意义的未完成和过程性,而是坚持这种意义产生的历史、体现和情感维度,以及对形成这种意义的更广泛的社会和政治格局的考虑。对布里克巷的关注提供了一个富有实证、地理和历史定位的视角,通过这个视角可以探索族裔作为社会空间标志和空间抵抗和身份实践的复杂作用。通过探索孟加拉布里克巷的过去、现在和未来的叙事,这些故事证明了这些空间的象征和情感重要性,以及它们的复杂想象。