Mapping the perceptual structure of rectangles through goodness-of-fit ratings.

Three experiments were carried out to investigate the internal structure of a rectangular frame to test Arnheim's (1974 Art and Visual Perception, 1988 The Power of the Center) proposals about its 'structural skeleton'. Observers made subjective ratings of how well a small probe circle fit within a rectangle at different interior positions. In experiment 1, ratings of 77 locations were highest in the center, decreased with distance from the center, greatly elevated along vertical and horizontal symmetry axes, and somewhat elevated along the local symmetry axes. A linear regression model with six symmetry-related factors accounted for 95% of the variance. In experiment 2 we measured perceived fit along local symmetry axes versus global diagonals near the corners to determine which factor was relevant. 2AFC probabilities were elevated only along the local symmetry axes and were higher when the probe was closer to the vertex. In experiment 3 we examined the effect of dividing a rectangular frame into two rectangular 'subframes' using an additional line. The results show that the primary determinant of good fit is the position of the target circle within the local subframes. In general, the results are consistent with Arnheim's proposals about the internal structure of a rectangular frame, but an alternative interpretation is offered in terms of the Gestalt concept of figural goodness.