Department of Psychology, University of California, Berkeley, CA 94720-1650, USA.
Psychon Bull Rev. 2013 Jun;20(3):453-61. doi: 10.3758/s13423-012-0355-2.
Although empirical research on aesthetics has had some success in explaining the average preferences of groups of observers, relatively little is known about individual differences in preference, and especially about how such differences might covary across different domains. In this study, we identified a new factor underlying aesthetic response-preference for harmonious stimuli-and examined how it varies over four domains (color, shape, spatial location, and music) across individuals with different levels of training in art and music. We found that individual preferences for harmony are strongly correlated across all four dimensions tested and decrease consistently with training in the relevant aesthetic domains. Confirmatory factor analysis revealed that cross-domain preference for harmony is well-represented as a single, unified factor, with effects separate from those of training and of common personality measures.
尽管关于美学的实证研究已经在解释群体观察者的平均偏好方面取得了一些成功,但对于个体差异的偏好,尤其是不同领域的偏好如何变化,人们知之甚少。在这项研究中,我们确定了一个新的审美反应偏好的基础因素——对和谐刺激的偏好,并研究了它在不同艺术和音乐训练水平的个体中如何在四个领域(颜色、形状、空间位置和音乐)中变化。我们发现,个体对和谐的偏好在所有四个测试维度上都有很强的相关性,并且随着相关审美领域的训练而一致降低。验证性因素分析表明,跨领域对和谐的偏好很好地表现为一个单一的、统一的因素,其效果与训练和常见的人格测量分开。