Norwegian Institute for Alcohol and Drug Research (SIRUS), Oslo, Norway.
Nicotine Tob Res. 2013 Feb;15(2):450-6. doi: 10.1093/ntr/nts153. Epub 2012 Sep 4.
In Norway, packaging is one of the few remaining ways for tobacco companies to promote their products. Plain packaging of tobacco products could be a means to limit this promotion.
Eleven focus group interviews with daily, occasional, and former smokers and nonsmokers (N = 69) aged 16-50 were undertaken to explore perceptions of different cigarette brands, the role of package design in communicating brand images, and how participants perceived cigarette packages when important design elements such as colors, symbols, logos, and branded fonts were removed.
Distinct images of brands and user identities associated with these were narrated. Elements of the package design such as colors, images, and fonts were described as configuring brand images. Compared with current, completely branded cigarette packages, packages that displayed progressively fewer branding design elements were perceived increasingly unfavorably and as detracting from the images that packages otherwise communicate.
The findings indicate that packaging is vital to consumer identification with and differentiation between cigarette brands and that a policy of plain packaging could be useful in reducing the impact of packaging in promotion of tobacco products.
在挪威,包装是烟草公司推广产品的少数几种方式之一。烟草制品的平装可能是限制这种推广的一种手段。
对年龄在 16 至 50 岁的每日吸烟、偶尔吸烟和曾经吸烟的吸烟者和不吸烟者(N=69)进行了 11 次焦点小组访谈,以探讨对不同香烟品牌的看法、包装设计在传达品牌形象方面的作用,以及当去除颜色、符号、标志和品牌字体等重要设计元素时,参与者如何看待香烟包装。
描述了与这些品牌相关的品牌形象和用户身份的叙述。包装设计的元素,如颜色、图像和字体,被描述为配置品牌形象。与当前完全品牌化的香烟包装相比,展示越来越少品牌设计元素的包装被认为越来越不受欢迎,并削弱了包装传达的形象。
调查结果表明,包装对消费者识别和区分香烟品牌至关重要,而平装政策可能有助于减少包装在烟草产品推广中的影响。