Svilicić Niksa
Institute for Anthropological Research, Zagreb, Croatia.
Coll Antropol. 2012 Sep;36(3):997-1007.
This research paper deals with one part of a comprehensive study called "Causality of narratological-semiotic aspects of the structure of film expression and paradigms of reception of Croatian feature film". It is conceived as a response to the hypothesis that the expression of narrative-semiotic terms correlate with the reception of the Croatian feature film audience and all them leads into a broader holistic i.e. anthropological context.The basic idea of scientific research is to analyze the complete feature productions since Croatian independence 1991 to date, presented at the National Film Festival (film festival in Pula), identify, define and isolate positive social narrative-semiotic stereotypes, which can then serve as a paradigm of better ratings and increase of the currently very low rating of domestic films in Croatian cinemas, as well as TV distribution. In other words, the paper will be analyzed and processed by a range of different effects based on narrative-semiotic, set design and mise-en-scène motives, used in the Croatian feature films since independence to date, that we assume to positively influence the mood of the viewer, and thus increase the rating of the film.
本研究论文是一项名为“克罗地亚故事片表达结构的叙事符号学方面及接受范式的因果关系”的综合研究的一部分。它被视为对以下假设的回应：叙事符号学术语的表达与克罗地亚故事片观众的接受度相关，并且所有这些都导向更广泛的整体即人类学背景。科学研究的基本思想是分析自1991年克罗地亚独立至今在普拉电影节（国家电影节）上展映的所有故事片作品，识别、定义并分离出积极的社会叙事符号学刻板印象，这些刻板印象随后可作为提高克罗地亚电影院及电视发行中目前极低的国产片收视率的更好范例。换句话说，本文将基于叙事符号学、场景设计和场面调度动机，对自独立至今的克罗地亚故事片中所使用的一系列不同效果进行分析和处理，我们假定这些效果会对观众情绪产生积极影响，从而提高影片的收视率。
