Svilicić Niksa, Vidacković Zlatko
Institute for Anthropological Research, Zagreb, Croatia.
Coll Antropol. 2013 Mar;37(1):251-61.
This paper seeks to explain some of the most important recent production and technological changes that have affected the relationship between television and film, especially in Croatia, from the aspect of the development of visual anthropology. In the production segment, special attention was given to the role of Croatian television stations in the production of movies, "splitting" the movies into mini-series, interrupting movies with commercial breaks, and to television movies turned into feature films. This paper tries to perceive and define the structure of methodical processes of visual anthropology (reactive process). The development of photographic and film technology and the events which led to the rapid development of visual culture also point to the inseparable duality of observing visual anthropology within reactive and proactive processes, which are indirectly closely related to the technical aspects of these processes. Defining the technical aspect of visual anthropology as such "service" necessarily interferes with the author's approach in the domain of the script and direction related procedures during pre-production, on the field and during post-production of the movie. The author's approach is important because in dependence on it, the desired spectrum of information "output", susceptible to subsequent scientific analysis, is achieved. Lastly, another important segment is the "distributive-technological process" because, regardless of the approach to the anthropologically relevant phenomenon which is being dealt with in an audio-visual piece of work, it is essential that the work be presented and viewed adequately.
本文旨在从视觉人类学发展的角度，解释近期一些最重要的生产和技术变革，这些变革影响了电视与电影之间的关系，尤其是在克罗地亚。在生产环节，特别关注了克罗地亚电视台在电影制作中的作用，将电影“拆分为”迷你剧、插入商业广告打断电影，以及电视电影转变为故事片。本文试图理解并定义视觉人类学方法过程的结构（反应过程）。摄影和电影技术的发展以及导致视觉文化迅速发展的事件，也表明在反应过程和主动过程中观察视觉人类学存在不可分割的二元性，而这两个过程与这些过程的技术方面间接紧密相关。将视觉人类学的技术方面定义为这样一种“服务”，必然会在电影制作前期、拍摄现场和后期制作过程中，在剧本和导演相关程序领域干扰作者的方法。作者的方法很重要，因为依赖于此，才能实现后续科学分析所需的信息“输出”范围。最后，另一个重要部分是“传播技术过程”，因为无论在视听作品中处理人类学相关现象的方法如何，确保作品得到充分展示和观看至关重要。
