Cognitive Brain Research Unit, Cognitive Science, Institute of Behavioural Sciences, University of Helsinki, Helsinki, Finland.
PLoS One. 2013;8(1):e53691. doi: 10.1371/journal.pone.0053691. Epub 2013 Jan 11.
Performing music on the basis of reading a score requires reading ahead of what is being played in order to anticipate the necessary actions to produce the notes. Score reading thus not only involves the decoding of a visual score and the comparison to the auditory feedback, but also short-term storage of the musical information due to the delay of the auditory feedback during reading ahead. This study investigates the mechanisms of encoding of musical information in short-term memory during such a complicated procedure. There were three parts in this study. First, professional musicians participated in an electroencephalographic (EEG) experiment to study the slow wave potentials during a time interval of short-term memory storage in a situation that requires cross-modal translation and short-term storage of visual material to be compared with delayed auditory material, as it is the case in music score reading. This delayed visual-to-auditory matching task was compared with delayed visual-visual and auditory-auditory matching tasks in terms of EEG topography and voltage amplitudes. Second, an additional behavioural experiment was performed to determine which type of distractor would be the most interfering with the score reading-like task. Third, the self-reported strategies of the participants were also analyzed. All three parts of this study point towards the same conclusion according to which during music score reading, the musician most likely first translates the visual score into an auditory cue, probably starting around 700 or 1300 ms, ready for storage and delayed comparison with the auditory feedback.
演奏乐谱需要预先阅读即将演奏的内容,以便预测产生音符所需的动作。因此,乐谱阅读不仅涉及到对视觉乐谱的解码以及与听觉反馈的比较,还涉及到由于阅读提前而导致听觉反馈延迟时音乐信息的短期存储。本研究调查了在这种复杂过程中音乐信息在短期记忆中的编码机制。本研究有三个部分。首先,专业音乐家参与了一项脑电图(EEG)实验,以研究在需要跨模态翻译和短期存储视觉材料以与延迟听觉材料进行比较的情况下,即乐谱阅读的情况下,短期记忆存储期间的慢波电位。将这种延迟的视觉-听觉匹配任务与延迟的视觉-视觉和听觉-听觉匹配任务进行了 EEG 拓扑和电压幅度方面的比较。其次,进行了额外的行为实验,以确定哪种类型的干扰物最干扰类似乐谱阅读的任务。第三,还分析了参与者的自我报告策略。本研究的所有三个部分都得出了相同的结论,即在乐谱阅读过程中,音乐家最有可能首先将视觉乐谱转换为听觉提示,可能在 700 或 1300 毫秒左右开始,以便进行存储并与听觉反馈进行延迟比较。