Department of Music, University of St Andrews, Beethoven Lodge, 65 North Street, St Andrews, Fife KY16 9AJ, United Kingdom.
J Acoust Soc Am. 2013 Aug;134(2):1395-406. doi: 10.1121/1.4812254.
Wave separation within a trumpet is presented using three high pressure microphones to measure pressure waves within the curved, constant cross-section tuning slide of the instrument while the instrument was being played by a virtuoso trumpet player. A closer inter-microphone spacing was possible in comparison to previous work through the use of time domain windowing on non-causal transfer functions and performing wave separation in the frequency domain. Time domain plots of the experimental wave separation were then compared to simulations using a physical model based on a time domain finite difference simulation of the trumpet bore coupled to a one mass, two degree of freedom lip model. The time domain and frequency spectra of the measured and synthesized sounds showed a similar profile, with the sound produced by the player showing broader spectral peaks in experimental data. Using a quality factor of 5 for the lip model was found to give greater agreement between the simulated and experimental starting transients in comparison to the values in the range 1-3 often assumed. Deviations in the spectral content and wave shape provide insights into the areas where future research may be directed in improving the accuracy of physical modeling synthesis.
使用三个高压麦克风在乐器的弯曲、恒定横截面调谐滑管内测量压力波,展示了小号内的波分离,而乐器则由一位杰出的小号演奏家演奏。与之前的工作相比,通过在非因果传递函数上使用时域窗口化,并在频域中进行波分离,可以实现更接近的麦克风间间距。然后,将实验波分离的时域图与使用基于小号管的时域有限差分模拟与单质量、两自由度唇模型耦合的物理模型进行的模拟进行比较。测量和合成声音的时域和频域谱显示出相似的轮廓,演奏者产生的声音在实验数据中显示出更宽的频谱峰值。与通常假设的 1-3 范围内的值相比,发现将唇模型的品质因数设为 5 可以在模拟和实验起始瞬态之间产生更大的一致性。频谱内容和波形状的偏差为未来研究在提高物理建模合成的准确性方面提供了方向。