Institute of Music Physiology and Musicians' Medicine, University of Music, Drama, and Media, Hannover, Germany; Lyon Neuroscience Research Center, CNRS-UMR 5292, INSERM U1028, France.
Department of Music Physiology, International Piano Academy Lake Como, Italy.
Parkinsonism Relat Disord. 2014 Jan;20(1):8-12. doi: 10.1016/j.parkreldis.2013.08.009. Epub 2013 Aug 30.
Musician's dystonia is characterized by loss of voluntary motor control in extensively trained movements on an instrument. The condition is difficult to treat. This retrospective study reports on the interventions received by a homogeneous cohort of pianists with musician's dystonia and the subjective and objective changes reported in task performance.
This is a retrospective descriptive study. Fifty four pianists with musician's dystonia who had received care in a Movement Disorders Clinic completed a self report questionnaire regarding type and effectiveness of treatment received over the last 4 years. Pianists' fine motor control was assessed objectively by measuring the temporal regularity of their scale playing.
Nearly all patients (98.0%) reported deficits in motor tasks other than musical playing. Half of the patients were taking medications (Botulinum toxin (53%), Trihexyphenidyl (51%)). Subjects reported participating in multiple therapies: retraining (87%), hand therapy (42%), relaxation techniques (38%), physiotherapy (30%), psychotherapy (23%), acupuncture (21%) and body techniques (21%). Self-reported improvements in motor performance were reported by 81.5% of the subjects with 5.6% reporting a complete recovery. Objective gains in task-specific motor performance were documented in 42.9% of the subjects (with deterioration in 4.8%). Retraining therapy, relaxation techniques and change in teacher explained 52% of the variance in subjective outcomes.
Musician's dystonia not only interferes with musical performance but other fine motor tasks. Objectively, approximately 50% of patients improved task performance following participation in a variety of intervention strategies, but subjectively, 80% of subjects reported improvement.
音乐家手痉挛的特征是在乐器上进行广泛训练的动作中失去自主运动控制。这种情况很难治疗。本回顾性研究报告了一组同质的钢琴演奏家音乐家手痉挛所接受的干预措施,以及报告的任务表现的主观和客观变化。
这是一项回顾性描述性研究。54 名患有音乐家手痉挛的钢琴家在运动障碍诊所接受治疗后,完成了一份关于过去 4 年接受的治疗类型和效果的自我报告问卷。钢琴家的精细运动控制通过测量他们音阶演奏的时间规律来客观评估。
几乎所有患者(98.0%)都报告说除了音乐演奏外,运动任务都有缺陷。一半的患者正在服用药物(肉毒杆菌毒素(53%)、苯海索(51%))。受试者报告参加了多种治疗:再训练(87%)、手部治疗(42%)、放松技术(38%)、物理治疗(30%)、心理治疗(23%)、针灸(21%)和身体技术(21%)。81.5%的受试者报告运动表现有所改善,5.6%的受试者报告完全恢复。42.9%的受试者记录到特定任务运动表现的客观改善(4.8%的受试者恶化)。再训练疗法、放松技术和教师的变化解释了主观结果的 52%。
音乐家手痉挛不仅会干扰音乐演奏,还会干扰其他精细运动任务。客观上,大约 50%的患者在参与各种干预策略后提高了任务表现,但主观上,80%的患者报告有所改善。