Markidis M
Bibl Psychiatr. 1986(164):136-42.
A man is haunted by his Double. The great romantic tradition lends Dostoyevsky one of its dearest subjects. The Double, not only the exact physical duplication of the hero, but also a man with the same name, plots against Mr. Golyadkin, impersonates him both at work and in his private life, leads him to madness. This essay represents an attempt to clarify the stages of the adventurous relation of the subject to its Double, starting from the Hegelian "Phenomenology of the Spirit" and the Lacanian "Mirror Stage". If the construction of the human Ego is a narcissistic alienation to the image reflected by the mirror, the potential exit from the alienation lies in the Symbolic Order inhabited by the institution of the language. The Dostoyevskian hero gets into the Order of the language already trapped by the image of his mirror, by his projection. This projection (which constitutes his paranoia) will lead him to his annihilation, because Mr. Golyadkin cannot grasp its inner meaning.
一个男人被自己的分身所困扰。伟大的浪漫主义传统赋予陀思妥耶夫斯基一个最受人喜爱的主题。这个分身，不仅是主人公在外表上的精确复制，而且是一个同名的人，他阴谋算计戈利亚德金先生，在工作和私人生活中都模仿他，最终导致他发疯。本文试图从黑格尔的《精神现象学》和拉康的“镜像阶段”出发，厘清主体与分身之间充满冒险色彩的关系的各个阶段。如果人类自我的构建是一种对镜子中反射出的形象的自恋式异化，那么从这种异化中潜在的解脱之道就在于由语言制度所栖居的象征秩序。陀思妥耶夫斯基笔下的主人公在已经被自己镜子中的形象、被自己的投射所困住的情况下进入了语言秩序。这种投射（构成了他的偏执狂）将导致他的毁灭，因为戈利亚德金先生无法理解其内在含义。
