Lin Chia-Wei, Lin Cheng-Feng, Hsue Bih-Jen, Su Fong-Chin
Institute of Biomedical Engineering, National Cheng Kung University, Tainan, Taiwan.
Motor Control. 2014 Apr;18(2):199-212. doi: 10.1123/mc.2013-0021. Epub 2013 Nov 25.
The purpose of the current study was to evaluate the postural stability of single-leg standing on the retiré position in ballet dancers having three different levels of skill. Nine superior experienced female ballet dancers, 9 experienced, and 12 novice dancers performed single-leg standing in the retiré position. The parameters of center of pressure (COP) in the anterior-posterior and medial-lateral directions and the maximum distance between COP and the center of mass (COM) were measured. The inclination angles of body segments (head, torso, and supporting leg) in the frontal plane were also calculated. The findings showed that the novice dancers had a trend of greater torso inclination angles than the experienced dancers but that the superior experienced dancers had greater maximum COM-COP distance in the anterior-posterior direction. Furthermore, both experienced and novice dancers had better balance when standing on the nondominant leg, whereas the superior experienced dancers had similar postural stability between legs. Based on the findings, ballet training should put equal focus on both legs and frontal plane control (medial-lateral direction) should be integrated to ballet training program.
本研究的目的是评估具有三种不同技能水平的芭蕾舞演员在“arabesque”舞姿下单腿站立的姿势稳定性。九名高级经验丰富的女性芭蕾舞演员、九名经验丰富的舞者和十二名新手舞者在“arabesque”舞姿下单腿站立。测量了前后方向和内外方向的压力中心(COP)参数以及COP与质心(COM)之间的最大距离。还计算了身体各部分(头部、躯干和支撑腿)在额面内的倾斜角度。研究结果表明,新手舞者的躯干倾斜角度有大于经验丰富舞者的趋势,但高级经验丰富的舞者在前后方向上的最大COM-COP距离更大。此外,经验丰富的舞者和新手舞者在非优势腿站立时平衡更好,而高级经验丰富的舞者双腿之间的姿势稳定性相似。基于这些发现,芭蕾舞训练应同等重视双腿,并且应将额面控制(内外方向)纳入芭蕾舞训练计划。