DU Feng
School of Art, Capital Normal University, Beijing, 100089, China.
Zhonghua Yi Shi Za Zhi. 2013 Sep;43(5):259-61.
The bamboo slips Fan yin (Anti-excessiveness) of the Western Han Dynasty, written in the form of conversation in 7-syllable prose-verse between hun (ethereal soul) and po (corporeal soul), with po as the host, and hun as the guest, reflecting the dualism of hun and po. In Huang di nei jing (Inner Canon of Yellow Emperor), appeared nearly at the same time, in which the hypothesis of all the five viscera embodies the spirit and its soul defined at the level of spirit-emotion, claiming that the physique and ethereal soul are born at the same time, and the spirit of Yang qi within the corporeal soul is the ethereal soul, which is different from the description in the Fan yin.
西汉竹简《反淫》以魂(阳神)与魄(阴神)对话的七言韵文形式写成,以魄为主,魂为客,体现了魂魄二元论。几乎同时出现的《黄帝内经》中,五脏皆藏神的假说在精神情志层面界定了神及其魂魄,认为形与神俱,体魄中的阳气之神即魂,这与《反淫》中的描述不同。