Benedek Mathias, Neubauer Aljoscha C
University of Graz, Austria.
J Creat Behav. 2013 Dec 1;47(4):273-289. doi: 10.1002/jocb.35.
Fifty years ago, Mednick [, 69 (1962) 220] proposed an elaborate model that aimed to explain how creative ideas are generated and why creative people are more likely to have creative ideas. The model assumes that creative people have flatter associative hierarchies and as a consequence can more fluently retrieve remote associative elements, which can be combined to form creative ideas. This study aimed at revisiting Mednick's model and providing an extensive test of its hypotheses. A continuous free association task was employed and association performance was compared between groups high and low in creativity, as defined by divergent thinking ability and self-report measures. We found that associative hierarchies do not differ between low and high creative people, but creative people showed higher associative fluency and more uncommon responses. This suggests that creativity may not be related to a special organization of associative memory, but rather to a more effective way of accessing its contents. The findings add to the evidence associating creativity with highly adaptive executive functioning.
五十年前,梅德尼克[《异常与社会心理学杂志》,69 (1962) 220]提出了一个详尽的模型,旨在解释创造性想法是如何产生的,以及为什么有创造力的人更有可能产生创造性想法。该模型假设,有创造力的人具有更扁平的联想层次结构,因此能够更流畅地检索遥远的联想元素,这些元素可以组合形成创造性想法。本研究旨在重新审视梅德尼克的模型,并对其假设进行广泛测试。采用了连续自由联想任务,并比较了根据发散思维能力和自我报告测量定义的高创造力组和低创造力组之间的联想表现。我们发现,低创造力者和高创造力者的联想层次结构并无差异,但有创造力的人表现出更高的联想流畅性和更多不常见的反应。这表明,创造力可能与联想记忆的特殊组织无关,而与一种更有效的访问其内容的方式有关。这些发现进一步证明了创造力与高度适应性的执行功能之间的关联。