Aubé William, Angulo-Perkins Arafat, Peretz Isabelle, Concha Luis, Armony Jorge L
International Laboratory for Brain, Music and Sound Research (BRAMS) H2V 4P3, Centre for Research on Brain, Language and Music (CRBLM) H3G 2A8, Department of Psychology, Université de Montréal, Montreal, Canada H2V 2S9, Universidad Nacional Autónoma de México, Queretaro, Mexico C.P. 76230 and Department of Psychiatry and Douglas Mental Health University Institute, McGill University, Montreal, Canada H4H 1R3 International Laboratory for Brain, Music and Sound Research (BRAMS) H2V 4P3, Centre for Research on Brain, Language and Music (CRBLM) H3G 2A8, Department of Psychology, Université de Montréal, Montreal, Canada H2V 2S9, Universidad Nacional Autónoma de México, Queretaro, Mexico C.P. 76230 and Department of Psychiatry and Douglas Mental Health University Institute, McGill University, Montreal, Canada H4H 1R3 International Laboratory for Brain, Music and Sound Research (BRAMS) H2V 4P3, Centre for Research on Brain, Language and Music (CRBLM) H3G 2A8, Department of Psychology, Université de Montréal, Montreal, Canada H2V 2S9, Universidad Nacional Autónoma de México, Queretaro, Mexico C.P. 76230 and Department of Psychiatry and Douglas Mental Health University Institute, McGill University, Montreal, Canada H4H 1R3
International Laboratory for Brain, Music and Sound Research (BRAMS) H2V 4P3, Centre for Research on Brain, Language and Music (CRBLM) H3G 2A8, Department of Psychology, Université de Montréal, Montreal, Canada H2V 2S9, Universidad Nacional Autónoma de México, Queretaro, Mexico C.P. 76230 and Department of Psychiatry and Douglas Mental Health University Institute, McGill University, Montreal, Canada H4H 1R3.
Soc Cogn Affect Neurosci. 2015 Mar;10(3):399-407. doi: 10.1093/scan/nsu067. Epub 2014 May 1.
Intrinsic emotional expressions such as those communicated by faces and vocalizations have been shown to engage specific brain regions, such as the amygdala. Although music constitutes another powerful means to express emotions, the neural substrates involved in its processing remain poorly understood. In particular, it is unknown whether brain regions typically associated with processing 'biologically relevant' emotional expressions are also recruited by emotional music. To address this question, we conducted an event-related functional magnetic resonance imaging study in 47 healthy volunteers in which we directly compared responses to basic emotions (fear, sadness and happiness, as well as neutral) expressed through faces, non-linguistic vocalizations and short novel musical excerpts. Our results confirmed the importance of fear in emotional communication, as revealed by significant blood oxygen level-dependent signal increased in a cluster within the posterior amygdala and anterior hippocampus, as well as in the posterior insula across all three domains. Moreover, subject-specific amygdala responses to fearful music and vocalizations were correlated, consistent with the proposal that the brain circuitry involved in the processing of musical emotions might be shared with the one that have evolved for vocalizations. Overall, our results show that processing of fear expressed through music, engages some of the same brain areas known to be crucial for detecting and evaluating threat-related information.
诸如通过面部和发声传达的内在情感表达已被证明会激活特定的脑区,如杏仁核。尽管音乐是表达情感的另一种强大方式,但其加工过程中涉及的神经基质仍知之甚少。特别是,尚不清楚通常与处理“生物学相关”情感表达相关的脑区是否也会被情感音乐所激活。为了解决这个问题,我们对47名健康志愿者进行了一项事件相关功能磁共振成像研究,其中我们直接比较了对通过面部、非语言发声和简短新颖音乐片段表达的基本情绪(恐惧、悲伤、快乐以及中性情绪)的反应。我们的结果证实了恐惧在情感交流中的重要性,如后杏仁核和前海马体中的一个簇以及所有三个领域的后岛叶中显著的血氧水平依赖信号增加所揭示的那样。此外,个体特异性杏仁核对恐惧音乐和发声的反应是相关的,这与以下观点一致:参与音乐情感加工的脑回路可能与为发声而进化的脑回路相同。总体而言,我们的结果表明,对通过音乐表达的恐惧的加工会激活一些已知对检测和评估威胁相关信息至关重要的相同脑区。