Dromey Christopher, Holmes Sharee O, Hopkin J Arden, Tanner Kristine
Department of Communication Disorders, Brigham Young University, Provo, Utah.
Department of Communication Disorders, Brigham Young University, Provo, Utah.
J Voice. 2015 Mar;29(2):170-81. doi: 10.1016/j.jvoice.2014.06.007. Epub 2014 Dec 9.
OBJECTIVES/HYPOTHESIS: The purpose of this study was to investigate the effect of emotional expression on several acoustic measures of vibrato, including its rate, extent, and steadiness. We hypothesized that singing a passage with emotional content would influence these variables.
This study used a within-subjects, repeated-measures design. Singer performance under different conditions was analyzed.
Ten graduate student singers (eight women, two men) completed a series of tasks including sustained sung vowels at several pitch and loudness levels, an assigned song that was judged to have relatively neutral emotion, and a personal selection that included passages of intense emotion. Vowel tokens were extracted from the recordings and averaged for each task. Dependent measures included the mean fundamental frequency (F0), mean intensity, frequency modulation (FM) rate, FM extent, and measures of FM rate and extent variability.
The FM rate and extent were higher and the modulation variability was lower for the more emotional song than for the sustained vowels. Mean F0 and intensity were higher for the emotional song than for the neutral song.
Singing an emotional passage influences acoustic features of vibrato when compared with isolated, sustained vowels. The wider dynamic and pitch ranges for emotional passages only partly explain vibrato differences between emotional and neutral singing.
目的/假设:本研究旨在调查情感表达对颤音的几个声学指标的影响,包括其速率、幅度和稳定性。我们假设演唱带有情感内容的乐段会影响这些变量。
本研究采用受试者内重复测量设计。分析了歌手在不同条件下的表现。
10名研究生歌手(8名女性,2名男性)完成了一系列任务,包括在几个音高和响度水平上持续演唱元音、一首被判定情感相对中性的指定歌曲,以及一首包含强烈情感乐段的个人选择歌曲。从录音中提取元音样本,并对每个任务进行平均。相关测量指标包括平均基频(F0)、平均强度、频率调制(FM)速率、FM幅度,以及FM速率和幅度变异性的测量指标。
与持续元音相比,情感更丰富的歌曲的FM速率和幅度更高,调制变异性更低。情感歌曲的平均F0和强度高于中性歌曲。
与孤立的持续元音相比,演唱情感丰富的乐段会影响颤音的声学特征。情感乐段更宽的动态和音高范围只能部分解释情感演唱和中性演唱之间颤音的差异。