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早期接受训练的歌剧演唱者胼胝体厚度增加。

Increased Callosal Thickness in Early Trained Opera Singers.

作者信息

Kleber Boris, Dale C, Zamorano A M, Lotze M, Luders E, Kurth F

机构信息

Center for Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University & Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark.

School of Psychology, University of Auckland, Auckland, New Zealand.

出版信息

Brain Topogr. 2025 Aug 7;38(5):56. doi: 10.1007/s10548-025-01134-x.

Abstract

Structural adaptations of the corpus callosum have been well documented in early-trained instrumental musicians, reflecting experience-dependent plasticity in response to bimanual coordination and auditory-motor integration. Although the sensorimotor demands of singing differ, professional vocal training also requires precise control of bilateral vocal tract musculature and integration of auditory feedback; yet, less is known about whether similar adaptations occur in professional singers. This study used structural neuroimaging to investigate variations in callosal thickness in relation to vocal training in 55 participants, including 27 professionally trained opera singers and 28 non-singers. A significant negative correlation between age at first singing lesson and callosal thickness was observed in singers, with effects surviving correction for multiple comparisons in the anterior third (rostrum, genu, rostral body), at the anterior-posterior midbody border, and the isthmus. While group comparisons revealed greater callosal thickness in singers than non-singers in these same regions, these differences did not remain significant after correction. Likewise, a positive correlation between years of professional singing and callosal thickness in the midbody did not survive correction for multiple comparisons. Our main finding aligns with prior evidence of training-related plasticity in the corpus callosum and suggests that early musical experience-including in the context of intensive vocal practice-may contribute to enhanced interhemispheric connectivity. Although the current design does not allow us to isolate effects specific to singing compared to other forms of sensorimotor training, the results underscore developmental timing as a key factor in how prolonged musical experience may shape brain structure.

摘要

早期接受训练的器乐演奏者胼胝体的结构适应性已有充分记录,这反映了对双手协调和听觉-运动整合的经验依赖性可塑性。尽管唱歌的感觉运动需求不同,但专业声乐训练同样需要精确控制双侧声道肌肉组织并整合听觉反馈;然而,对于专业歌手是否会出现类似的适应性变化,人们了解较少。本研究采用结构神经成像技术,调查了55名参与者(包括27名经过专业训练的歌剧演唱家和28名非歌手)胼胝体厚度与声乐训练的关系。在歌手中,首次上声乐课的年龄与胼胝体厚度之间存在显著负相关,在前三分之一(嘴部、膝部、嘴部体部)、前后身体中部边界以及峡部进行多重比较校正后,该效应依然存在。虽然组间比较显示,在这些相同区域,歌手的胼胝体厚度大于非歌手,但校正后这些差异不再显著。同样,专业演唱年限与身体中部胼胝体厚度之间的正相关在多重比较校正后也不再显著。我们的主要发现与胼胝体中与训练相关的可塑性的先前证据一致,并表明早期音乐经历——包括在密集声乐练习的背景下——可能有助于增强半球间连接。尽管目前的设计不允许我们将唱歌特有的效应与其他形式的感觉运动训练区分开来,但结果强调了发育时间是长期音乐经历塑造大脑结构的关键因素。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/a222/12331814/b9a662a1e22f/10548_2025_1134_Fig1_HTML.jpg

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