Zamorano Anna M, Riquelme Inmaculada, Kleber Boris, Altenmüller Eckart, Hatem Samar M, Montoya Pedro
Research Institute on Health Sciences, University of Balearic Islands Palma de Mallorca, Spain.
Research Institute on Health Sciences, University of Balearic Islands Palma de Mallorca, Spain ; Department of Nursing and Physiotherapy, University of Balearic Islands Palma de Mallorca, Spain.
Front Hum Neurosci. 2015 Jan 6;8:1016. doi: 10.3389/fnhum.2014.01016. eCollection 2014.
Extensive training of repetitive and highly skilled movements, as it occurs in professional classical musicians, may lead to changes in tactile sensitivity and corresponding cortical reorganization of somatosensory cortices. It is also known that professional musicians frequently experience musculoskeletal pain and pain-related symptoms during their careers. The present study aimed at understanding the complex interaction between chronic pain and music training with respect to somatosensory processing. For this purpose, tactile thresholds (mechanical detection, grating orientation, two-point discrimination) and subjective ratings to thermal and pressure pain stimuli were assessed in 17 professional musicians with chronic pain, 30 pain-free musicians, 20 non-musicians with chronic pain, and 18 pain-free non-musicians. We found that pain-free musicians displayed greater touch sensitivity (i.e., lower mechanical detection thresholds), lower tactile spatial acuity (i.e., higher grating orientation thresholds) and increased pain sensitivity to pressure and heat compared to pain-free non-musicians. Moreover, we also found that musicians and non-musicians with chronic pain presented lower tactile spatial acuity and increased pain sensitivity to pressure and heat compared to pain-free non-musicians. The significant increment of pain sensitivity together with decreased spatial discrimination in pain-free musicians and the similarity of results found in chronic pain patients, suggests that the extensive training of repetitive and highly skilled movements in classical musicians could be considered as a risk factor for developing chronic pain, probably due to use-dependent plastic changes elicited in somatosensory pathways.
像职业古典音乐家那样进行重复性高技能动作的大量训练,可能会导致触觉敏感性的变化以及体感皮层相应的皮层重组。众所周知,职业音乐家在其职业生涯中经常会经历肌肉骨骼疼痛及与疼痛相关的症状。本研究旨在了解慢性疼痛与音乐训练在体感加工方面的复杂相互作用。为此,对17名患有慢性疼痛的职业音乐家、30名无疼痛的音乐家、20名患有慢性疼痛的非音乐家以及18名无疼痛的非音乐家进行了触觉阈值(机械检测、光栅方向、两点辨别)以及对热痛和压痛刺激的主观评分评估。我们发现,与无疼痛的非音乐家相比,无疼痛的音乐家表现出更高的触觉敏感性(即更低的机械检测阈值)、更低的触觉空间敏锐度(即更高的光栅方向阈值)以及对压力和热的疼痛敏感性增加。此外,我们还发现,与无疼痛的非音乐家相比,患有慢性疼痛的音乐家和非音乐家表现出更低的触觉空间敏锐度以及对压力和热的疼痛敏感性增加。无疼痛的音乐家疼痛敏感性显著增加且空间辨别能力下降,以及慢性疼痛患者的结果相似,这表明古典音乐家中重复性高技能动作的大量训练可能被视为慢性疼痛发生的一个风险因素,这可能是由于体感通路中引发的使用依赖性可塑性变化所致。