Koutsiaris Epameinondas A, Alamanis Christos, Eftychiadis Aristotle, Zervas Anastasios
Ital J Anat Embryol. 2014;119(2):106-10.
The act of castration was practiced from ancient times. In countries of Middle and Far East, castration was often done to provide eunuchs as guardians of the harems. In Europe and especially in Italy, it was carried out to preserve the male voice unbroken into adult life. From 16th century till the end of 18th century, castrati singers dominated opera with their supernatural voices. Boys were castrated mainly before the age of 9 years and when they grew up they had feminine characteristics, such as smooth, hairless bodies, breasts, infantile penis. The training procedure to become a castrato singer was very intense and lasted up to ten years. The most common surgical technique was either to sever the spermatic cords or crush the testis with the fingers. The voice of a castrato was the outcome of a larynx the size of a child's combined with the lung volume of an adult male. The castrati singers became superstars who dominated opera, singing both male and female roles for more than 200 years. Castrated for art, the beauty, range and flexibility of their voices raised them to mythical status.
阉割行为自古就有。在中东和远东国家,阉割常常是为了提供阉人作为后宫的守卫。在欧洲,尤其是意大利,进行阉割是为了让男性的嗓音在成年后仍保持不变。从16世纪到18世纪末,阉人歌手凭借其超凡的嗓音主宰了歌剧界。男孩主要在9岁之前被阉割,长大后他们具有女性特征,比如身体光滑无毛、有乳房、阴茎短小。成为一名阉人歌手的训练过程非常严格,持续长达十年。最常见的手术方法要么是切断精索,要么用手指挤压睾丸。阉人的嗓音是儿童大小的喉部与成年男性肺容量相结合的结果。阉人歌手成为了主宰歌剧界的超级巨星,在200多年的时间里演唱男性和女性角色。为了艺术而被阉割,他们嗓音的美妙、音域和灵活性使他们成为了神话般的人物。