• 文献检索
  • 文档翻译
  • 深度研究
  • 学术资讯
  • Suppr Zotero 插件Zotero 插件
  • 邀请有礼
  • 套餐&价格
  • 历史记录
应用&插件
Suppr Zotero 插件Zotero 插件浏览器插件Mac 客户端Windows 客户端微信小程序
定价
高级版会员购买积分包购买API积分包
服务
文献检索文档翻译深度研究API 文档MCP 服务
关于我们
关于 Suppr公司介绍联系我们用户协议隐私条款
关注我们

Suppr 超能文献

核心技术专利:CN118964589B侵权必究
粤ICP备2023148730 号-1Suppr @ 2026

文献检索

告别复杂PubMed语法,用中文像聊天一样搜索,搜遍4000万医学文献。AI智能推荐,让科研检索更轻松。

立即免费搜索

文件翻译

保留排版,准确专业,支持PDF/Word/PPT等文件格式,支持 12+语言互译。

免费翻译文档

深度研究

AI帮你快速写综述,25分钟生成高质量综述,智能提取关键信息,辅助科研写作。

立即免费体验

[来自过去的声音:阉伶歌手]

[Voices from the past: castrate singers].

作者信息

Zegers Richard H C

机构信息

Academisch Medisch Centrum, Universiteit van Amsterdam, afd. Oogheelkunde, Amsterdam, The Netherlands.

出版信息

Ned Tijdschr Geneeskd. 2009;153:A618.

PMID:20051179
Abstract

Castration is a severely mutilating procedure. In Italy in the period around 1600-1850 even up to 4,000 yearly prepubescent boys per year underwent a bilateral orchidectomy to preserve their boyish high voice in order to become a 'castrato' singer. The operation was not without health risks and must have caused severe psychological problems, but some of the victims would become very famous, such as Carlo Broschi (1705-1782), better known as Farinelli. However, the majority of the castrati would remain unknown. Tradition has it that that the castrati were welcomed with euphoria by the general public. The last castrato at the Vatican, Alessandro Moreschi, died in 1922. The surviving recordings of the voice of this last official castrato give an impression of how the castrati's singing may have sounded. Several attempts have been made since to imitate the sound of the castrati, for example by digitally mixing soprano and countertenor voices.

摘要

阉割是一种极其残忍的手术。在1600年至1850年前后的意大利,每年甚至有多达4000名青春期前的男孩接受双侧睾丸切除术,以保留他们童声般的高音,从而成为一名“阉伶”歌手。这种手术并非没有健康风险,而且肯定会导致严重的心理问题,但一些受害者会变得非常有名,比如卡洛·布罗西(1705年至1782年),更为人熟知的名字是法里内利。然而,大多数阉伶仍然默默无闻。传统说法是,阉伶受到了公众的热烈欢迎。梵蒂冈最后一位阉伶亚历山德罗·莫雷斯基于1922年去世。这位最后一位官方阉伶留存下来的声音录音让人得以了解阉伶的演唱可能是怎样的。从那以后,人们多次尝试模仿阉伶的声音,例如通过数字方式混合女高音和假声男高音的声音。

相似文献

1
[Voices from the past: castrate singers].[来自过去的声音:阉伶歌手]
Ned Tijdschr Geneeskd. 2009;153:A618.
2
Castrati singers--all for fame.阉伶歌手——皆为名利。
J Sex Med. 2012 Sep;9(9):2233-7. doi: 10.1111/j.1743-6109.2012.02844.x. Epub 2012 Jul 12.
3
[How did the castratos sing? Historical observations].[阉人歌手是如何演唱的?历史观察]
Wurzbg Medizinhist Mitt. 2006;25:133-52.
4
Castrati singers: surgery for religion and art.阉人歌手:为宗教与艺术而施行的手术。
Ital J Anat Embryol. 2014;119(2):106-10.
5
The lost voice: a history of the castrato.失声:阉伶的历史
J Pediatr Endocrinol Metab. 2000;13 Suppl 6:1503-8. doi: 10.1515/jpem-2000-s625.
6
[On the pathology of the human voice. Reflections on castrato singing from the point of view of the history of medicine].[论人类嗓音的病理学。从医学史角度对阉人歌手演唱的思考]
Wurzbg Medizinhist Mitt. 2004;23:39-60.
7
Deriving opera from operation.从手术中衍生出歌剧。
Aust N Z J Surg. 1999 Sep;69(9):672-4. doi: 10.1046/j.1440-1622.1999.01662.x.
8
[Castrati--everything to achieve fame].阉伶——为成名不择手段。
Urologe A. 2009 Jun;48(6):649-52. doi: 10.1007/s00120-008-1932-x.
9
A virtual castrato?一个虚拟阉伶?
Logoped Phoniatr Vocol. 2010 Oct;35(3):138-43. doi: 10.3109/14015430903578787.
10
[Sacrifice was an art: the voice of the castrato].[牺牲是一门艺术:阉伶的嗓音]
Rev Laryngol Otol Rhinol (Bord). 2011;132(1):57-60.