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经验如何改变对音乐情感的判断:来自双侧人工耳蜗植入、双模式设备和正常听力儿童的证据。

Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing.

作者信息

Giannantonio Sara, Polonenko Melissa J, Papsin Blake C, Paludetti Gaetano, Gordon Karen A

机构信息

Department of Head and Neck Surgery, Institute of Otorhinolaryngology, Catholic University of the Sacred Heart, Rome, Italy.

Archie's, Cochlear Implant Laboratory, Department of Otolaryngology, The Hospital for Sick Children, Toronto, ON, Canada; Institute of Medical Sciences, The University of Toronto, Toronto, ON, Canada.

出版信息

PLoS One. 2015 Aug 28;10(8):e0136685. doi: 10.1371/journal.pone.0136685. eCollection 2015.

Abstract

Children using unilateral cochlear implants abnormally rely on tempo rather than mode cues to distinguish whether a musical piece is happy or sad. This led us to question how this judgment is affected by the type of experience in early auditory development. We hypothesized that judgments of the emotional content of music would vary by the type and duration of access to sound in early life due to deafness, altered perception of musical cues through new ways of using auditory prostheses bilaterally, and formal music training during childhood. Seventy-five participants completed the Montreal Emotion Identification Test. Thirty-three had normal hearing (aged 6.6 to 40.0 years) and 42 children had hearing loss and used bilateral auditory prostheses (31 bilaterally implanted and 11 unilaterally implanted with contralateral hearing aid use). Reaction time and accuracy were measured. Accurate judgment of emotion in music was achieved across ages and musical experience. Musical training accentuated the reliance on mode cues which developed with age in the normal hearing group. Degrading pitch cues through cochlear implant-mediated hearing induced greater reliance on tempo cues, but mode cues grew in salience when at least partial acoustic information was available through some residual hearing in the contralateral ear. Finally, when pitch cues were experimentally distorted to represent cochlear implant hearing, individuals with normal hearing (including those with musical training) switched to an abnormal dependence on tempo cues. The data indicate that, in a western culture, access to acoustic hearing in early life promotes a preference for mode rather than tempo cues which is enhanced by musical training. The challenge to these preferred strategies during cochlear implant hearing (simulated and real), regardless of musical training, suggests that access to pitch cues for children with hearing loss must be improved by preservation of residual hearing and improvements in cochlear implant technology.

摘要

使用单侧人工耳蜗的儿童异常地依赖节奏而非调式线索来区分一首音乐作品是欢快的还是悲伤的。这使我们质疑这种判断如何受到早期听觉发育中体验类型的影响。我们假设,由于失聪、通过双侧使用听觉假体的新方式改变了对音乐线索的感知以及童年时期的正规音乐训练,音乐情感内容的判断会因早年获得声音的类型和时长而有所不同。75名参与者完成了蒙特利尔情感识别测试。33人听力正常(年龄在6.6岁至40.0岁之间),42名儿童有听力损失且使用双侧听觉假体(31人双侧植入,11人单侧植入并使用对侧助听器)。测量了反应时间和准确性。各个年龄段和音乐经历的人都能准确判断音乐中的情感。音乐训练增强了对调式线索的依赖,这种依赖在听力正常组中随年龄增长而发展。通过人工耳蜗介导的听力降低音高线索会导致对节奏线索的更大依赖,但当通过对侧耳的一些残余听力可获得至少部分声学信息时,调式线索的显著性会增加。最后,当音高线索被实验性地扭曲以代表人工耳蜗听力时,听力正常的个体(包括受过音乐训练的个体)会转向对节奏线索的异常依赖。数据表明,在西方文化中,早年获得声学听力会促进对调式而非节奏线索的偏好,这种偏好会因音乐训练而增强。在人工耳蜗听力(模拟和真实)过程中,无论音乐训练如何,对这些偏好策略的挑战表明,必须通过保留残余听力和改进人工耳蜗技术来改善听力损失儿童获得音高线索的情况。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/c93f/4552689/0208740f9ddf/pone.0136685.g001.jpg

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