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21世纪银幕上的癫痫

Epilepsy on the silver screen in the 21st century.

作者信息

Baxendale Sallie

机构信息

Department of Clinical and Experimental Epilepsy, Institute of Neurology, UCL, Epilepsy Society, Chalfont St Peter, Buckinghamshire, UK; University College Hospital, London, UK.

出版信息

Epilepsy Behav. 2016 Apr;57(Pt B):270-4. doi: 10.1016/j.yebeh.2015.12.044. Epub 2016 Feb 18.

DOI:10.1016/j.yebeh.2015.12.044
PMID:26907968
Abstract

Epilepsy remains an attractive vehicle for filmmakers in the twenty-first century. This review examines the themes of twenty-one films, released between 2000 and 2014, that feature a character with epilepsy or a pivotal scene involving a seizure. Epilepsy continues to be associated with the supernatural in modern cinematic output. Demonic possession and epilepsy now share a similar cinematic lexicon. Unfortunately, the overlap is more than just visual. Supernatural treatments of narratives that claim to be 'based on a true story' of someone with epilepsy continue to blur the lines between medical and spiritual realms. Although there has been a steady progression away from concealment of the condition, epilepsy continues to signal 'otherness' in movie characters and seldom in a good way. All too often, a character has epilepsy to maximize the unease of the audience with them; it is a device that is used to signal 'this character is not like you'. However, amongst the hackneyed negative stereotypes, accurate portrayals of the condition are beginning to emerge, not least due to active collaborations between filmmakers and epilepsy advocacy groups. Far from being worthy, it is heartening that these films are also those that are the most absorbing and thought-provoking of the cinematic output thus far this century. This article is part of a Special Issue entitled "Epilepsy, Art, and Creativity".

摘要

在21世纪,癫痫仍然是电影制作人感兴趣的题材。这篇综述考察了2000年至2014年间发行的21部电影的主题,这些电影中有患有癫痫的角色或涉及癫痫发作的关键场景。在现代电影作品中,癫痫仍然与超自然现象联系在一起。恶魔附身和癫痫现在有类似的电影词汇。不幸的是,这种重叠不仅仅是视觉上的。那些声称“基于”癫痫患者“真实故事”的叙事的超自然处理方式,继续模糊了医学和精神领域之间的界限。尽管在对癫痫病情的隐瞒方面有了稳步进展,但癫痫在电影角色中仍然常常意味着“与众不同”,而且很少是正面的。通常,一个角色患有癫痫是为了让观众对他们产生最大程度的不安;这是一种用来表明“这个角色和你不一样”的手段。然而,在老套的负面刻板印象中,对癫痫病情的准确描绘也开始出现,这尤其是电影制作人与癫痫倡导组织积极合作的结果。令人欣慰的是,这些电影远非无足轻重,它们也是本世纪迄今为止电影作品中最引人入胜、最发人深省的。本文是名为“癫痫、艺术与创造力”的特刊的一部分。

相似文献

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Epilepsy on the silver screen in the 21st century.21世纪银幕上的癫痫
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[Epilepsy in films. A new century and… the same old perspective?].[电影中的癫痫。新世纪与……同样陈旧的视角?]
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The depiction of seizures in film.电影中癫痫发作的描绘。
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[Epilepsy in literature, cinema and television].[文学、电影和电视中的癫痫症]
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St. Valentine--patron saint of epilepsy: illustrating the semiology of seizures over the course of six centuries.圣瓦伦丁——癫痫的守护圣人:六个世纪以来癫痫发作症状学的例证
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