van Vugt F T, Kafczyk T, Kuhn W, Rollnik J D, Tillmann B, Altenmüller E
Institute of Music Physiology and Musicians' Medicine, University of Music, Drama and Media, Emmichplatz, Hannover, Germany.
Lyon Neuroscience Research Center, Auditory Cognition and Psychoacoustics Team, CNRS-UMR 5292, INSERM U1028, University Lyon-1, 50 av Tony Garnier, Lyon, France.
Restor Neurol Neurosci. 2016;34(2):297-311. doi: 10.3233/RNN-150588.
Learning to play musical instruments such as piano was previously shown to benefit post-stroke motor rehabilitation. Previous work hypothesised that the mechanism of this rehabilitation is that patients use auditory feedback to correct their movements and therefore show motor learning. We tested this hypothesis by manipulating the auditory feedback timing in a way that should disrupt such error-based learning.
We contrasted a patient group undergoing music-supported therapy on a piano that emits sounds immediately (as in previous studies) with a group whose sounds are presented after a jittered delay. The delay was not noticeable to patients. Thirty-four patients in early stroke rehabilitation with moderate motor impairment and no previous musical background learned to play the piano using simple finger exercises and familiar children's songs.
Rehabilitation outcome was not impaired in the jitter group relative to the normal group. Conversely, some clinical tests suggests the jitter group outperformed the normal group.
Auditory feedback-based motor learning is not the beneficial mechanism of music-supported therapy. Immediate auditory feedback therapy may be suboptimal. Jittered delay may increase efficacy of the proposed therapy and allow patients to fully benefit from motivational factors of music training. Our study shows a novel way to test hypotheses concerning music training in a single-blinded way, which is an important improvement over existing unblinded tests of music interventions.
既往研究表明,学习弹奏钢琴等乐器对中风后的运动康复有益。此前的研究推测,这种康复机制是患者利用听觉反馈来纠正动作,从而实现运动学习。我们通过以一种应该会干扰这种基于错误的学习的方式来操纵听觉反馈时间,对这一假设进行了测试。
我们将一组在弹奏钢琴时能立即发出声音(如先前研究那样)接受音乐辅助治疗的患者与一组声音在有抖动延迟后呈现的患者进行了对比。这种延迟患者察觉不到。34名处于中风康复早期、有中度运动障碍且此前无音乐背景的患者通过简单的手指练习和熟悉的儿童歌曲学习弹奏钢琴。
与正常组相比,抖动组的康复效果并未受损。相反,一些临床测试表明抖动组的表现优于正常组。
基于听觉反馈的运动学习并非音乐辅助治疗的有益机制。即时听觉反馈疗法可能并非最佳选择。抖动延迟可能会提高所提议疗法的疗效,并使患者能充分受益于音乐训练的激励因素。我们的研究展示了一种以单盲方式测试有关音乐训练假设的新方法,这是对现有的非盲音乐干预测试的一项重要改进。