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统一假设促进了音乐非语音刺激的跨模态绑定:频谱和幅度包络线索的作用。

The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues.

作者信息

Chuen Lorraine, Schutz Michael

机构信息

Department of Psychology, Neuroscience, and Behaviour, McMaster University, Hamilton, Ontario, Canada.

School of the Arts, Department of Psychology, Neuroscience, and Behaviour, McMaster University, 424 Togo Salmon Hall, Hamilton, Ontario, Canada.

出版信息

Atten Percept Psychophys. 2016 Jul;78(5):1512-28. doi: 10.3758/s13414-016-1088-5.

Abstract

An observer's inference that multimodal signals originate from a common underlying source facilitates cross-modal binding. This 'unity assumption' causes asynchronous auditory and visual speech streams to seem simultaneous (Vatakis & Spence, Perception & Psychophysics, 69(5), 744-756, 2007). Subsequent tests of non-speech stimuli such as musical and impact events found no evidence for the unity assumption, suggesting the effect is speech-specific (Vatakis & Spence, Acta Psychologica, 127(1), 12-23, 2008). However, the role of amplitude envelope (the changes in energy of a sound over time) was not previously appreciated within this paradigm. Here, we explore whether previous findings suggesting speech-specificity of the unity assumption were confounded by similarities in the amplitude envelopes of the contrasted auditory stimuli. Experiment 1 used natural events with clearly differentiated envelopes: single notes played on either a cello (bowing motion) or marimba (striking motion). Participants performed an un-speeded temporal order judgments task; viewing audio-visually matched (e.g., marimba auditory with marimba video) and mismatched (e.g., cello auditory with marimba video) versions of stimuli at various stimulus onset asynchronies, and were required to indicate which modality was presented first. As predicted, participants were less sensitive to temporal order in matched conditions, demonstrating that the unity assumption can facilitate the perception of synchrony outside of speech stimuli. Results from Experiments 2 and 3 revealed that when spectral information was removed from the original auditory stimuli, amplitude envelope alone could not facilitate the influence of audiovisual unity. We propose that both amplitude envelope and spectral acoustic cues affect the percept of audiovisual unity, working in concert to help an observer determine when to integrate across modalities.

摘要

观察者推断多模态信号源自共同的潜在来源,这有助于跨模态绑定。这种“统一性假设”会使异步的听觉和视觉语音流看起来是同步的(瓦塔基斯和斯彭斯,《感知与心理物理学》,69(5),744 - 756,2007)。随后对非语音刺激(如音乐和撞击事件)的测试未发现支持统一性假设的证据,这表明该效应具有语音特异性(瓦塔基斯和斯彭斯,《心理学报》,127(1),12 - 23,2008)。然而,在此范式中,之前并未认识到振幅包络(声音能量随时间的变化)的作用。在这里,我们探讨之前表明统一性假设具有语音特异性的研究结果是否因对比听觉刺激的振幅包络相似性而产生混淆。实验1使用了具有明显不同包络的自然事件:用大提琴(拉弓动作)或马林巴琴(敲击动作)弹奏的单音符。参与者执行了一项无时间限制的时间顺序判断任务;以各种刺激起始异步观看视听匹配(如马林巴琴听觉与马林巴琴视频)和不匹配(如大提琴听觉与马林巴琴视频)版本的刺激,并被要求指出哪种模态先呈现。正如预测的那样,参与者在匹配条件下对时间顺序的敏感度较低,这表明统一性假设可以促进对语音刺激之外的同步性感知。实验2和3的结果表明,当从原始听觉刺激中去除频谱信息时,仅振幅包络无法促进视听统一性的影响。我们提出,振幅包络和频谱声学线索都会影响视听统一性的感知,它们共同作用以帮助观察者确定何时进行跨模态整合。

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