Del Viva Maria M, Punzi Giovanni, Shevell Steven K
NEUROFARBA Dipartimento di Neuroscienze, Psicologia, Area del Farmaco e Salute del Bambino Sezione di Psicologia, Università di Firenze, Via di San Salvi, 12 Complesso di San Salvi, Padiglione 26 - 50135, Firenze, Italy.
Institute for Mind & Biology, University of Chicago, 940 East 57th Street, Chicago, IL, 60637, United States of America.
PLoS One. 2016 Aug 1;11(8):e0159898. doi: 10.1371/journal.pone.0159898. eCollection 2016.
The visual system is able to recognize a scene based on a sketch made of very simple features. This ability is likely crucial for survival, when fast image recognition is necessary, and it is believed that a primal sketch is extracted very early in the visual processing. Such highly simplified representations can be sufficient for accurate object discrimination, but an open question is the role played by color in this process. Rich color information is available in natural scenes, yet artist's sketches are usually monochromatic; and, black-and-white movies provide compelling representations of real world scenes. Also, the contrast sensitivity of color is low at fine spatial scales. We approach the question from the perspective of optimal information processing by a system endowed with limited computational resources. We show that when such limitations are taken into account, the intrinsic statistical properties of natural scenes imply that the most effective strategy is to ignore fine-scale color features and devote most of the bandwidth to gray-scale information. We find confirmation of these information-based predictions from psychophysics measurements of fast-viewing discrimination of natural scenes. We conclude that the lack of colored features in our visual representation, and our overall low sensitivity to high-frequency color components, are a consequence of an adaptation process, optimizing the size and power consumption of our brain for the visual world we live in.
视觉系统能够基于由非常简单的特征构成的草图来识别场景。在需要快速图像识别时,这种能力可能对生存至关重要,并且人们认为在视觉处理的早期阶段就会提取原始草图。这种高度简化的表示对于准确的物体辨别可能就足够了,但一个悬而未决的问题是颜色在此过程中所起的作用。自然场景中存在丰富的颜色信息,然而艺术家的草图通常是单色的;而且,黑白电影也能生动地呈现现实世界的场景。此外,在精细的空间尺度上,颜色的对比敏感度较低。我们从一个具有有限计算资源的系统进行最优信息处理的角度来探讨这个问题。我们表明,当考虑到这些限制时,自然场景的内在统计特性意味着最有效的策略是忽略精细尺度的颜色特征,并将大部分带宽用于灰度信息。我们从对自然场景快速观看辨别的心理物理学测量中找到了对这些基于信息的预测的证实。我们得出结论,我们视觉表征中缺乏彩色特征以及我们对高频颜色成分总体上较低的敏感度,是一种适应过程的结果,这种适应过程优化了我们大脑针对我们所生活的视觉世界的大小和功耗。