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运用非破坏性X射线荧光光谱法及辅助技术对塞维利亚皮拉托斯之家宫殿木工上的穆德哈尔彩色装饰进行分析研究。

Analytical investigation of Mudéjar polychrome on the carpentry in the Casa de Pilatos palace in Seville using non-destructive XRF and complementary techniques.

作者信息

Garrote M A, Robador M D, Perez-Rodriguez J L

机构信息

Building Engineering School, University of Seville, Avda Reina Mercedes s/n, 41012 Seville, Spain.

Building Engineering School, University of Seville, Avda Reina Mercedes s/n, 41012 Seville, Spain.

出版信息

Spectrochim Acta A Mol Biomol Spectrosc. 2017 Feb 15;173:279-291. doi: 10.1016/j.saa.2016.09.027. Epub 2016 Sep 20.

Abstract

The pigments, execution technique and repainting used on the polychrome wood ceilings and doors in the Casa de Pilatos (Seville, Spain) were studied using portable X-ray fluorescence equipment. Cross-sections of small samples were also analysed by optical microscopy, SEM with EDX analysis, micro-Raman and micro-infrared spectroscopy and X-ray diffraction. These carpentry works are magnificent examples of the Mudéjar art made in Spain in the early 16th century. Portable X-ray fluorescence gave good information on the different components of the polychrome. The SEM-EDX study of the surfaces of small samples gave information on their components and also characterized the compounds that had been deposited or formed by environmental contamination or by the alteration of some pigments. The SEM-EDX study of cross-sections facilitated the characterization of all layers and pigments from the support to the most external layer. The following pigments were characterized: red (cinnabar/vermillion, lead oxide, iron oxides and orpiment/realgar), black (carbon black), white (white lead and titanium barium white), yellow-orange-red-brown (orpiment/realgar and iron oxides), green (chromium oxide), blue (indigo blue and ultramarine blue), and gilding (gold leaf on bole). False gold, bronze and brass were also found. The pigments were applied with the oil painting technique over a support layer that had been primed with animal glue. This support layer was gypsum in some cases and white lead in others. This study is essential to the polychrome conservation of the studied artwork, and it will help clarify uncertainties in the history and painting of Mudéjar art.

摘要

利用便携式X射线荧光设备,对皮拉托斯宫(西班牙塞维利亚)彩色木质天花板和门上使用的颜料、绘制技术及重绘情况进行了研究。还通过光学显微镜、带有能谱分析的扫描电子显微镜、显微拉曼光谱和显微红外光谱以及X射线衍射对小样本的横截面进行了分析。这些木工作品是16世纪早期西班牙制作的穆德哈尔艺术的杰出典范。便携式X射线荧光分析提供了有关彩色颜料不同成分的良好信息。对小样本表面的扫描电子显微镜-能谱分析研究给出了其成分信息,还对因环境污染或某些颜料变化而沉积或形成的化合物进行了表征。对横截面的扫描电子显微镜-能谱分析研究有助于对从支撑层到最外层的所有层和颜料进行表征。鉴定出了以下颜料:红色(朱砂/朱红、氧化铅、氧化铁和雌黄/雄黄)、黑色(炭黑)、白色(铅白和钛钡白)、黄橙红棕色(雌黄/雄黄和氧化铁)、绿色(氧化铬)、蓝色(靛蓝和群青)以及镀金(在红玄武土上的金箔)。还发现了假金、青铜和黄铜。这些颜料采用油画技术涂覆在涂有动物胶底漆的支撑层上。在某些情况下,该支撑层是石膏,在其他情况下是铅白。这项研究对于所研究艺术品的彩色保护至关重要,并且将有助于澄清穆德哈尔艺术历史和绘画方面的不确定性。

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