Loutrari Ariadne, Lorch Marjorie Perlman
Department of Applied Linguistics and Communication, Birkbeck, University of London, UK.
Department of Applied Linguistics and Communication, Birkbeck, University of London, UK.
Brain Cogn. 2017 Jul;115:1-11. doi: 10.1016/j.bandc.2017.03.010. Epub 2017 Mar 31.
We present a follow-up study on the case of a Greek amusic adult, B.Z., whose impaired performance on scale, contour, interval, and meter was reported by Paraskevopoulos, Tsapkini, and Peretz in 2010, employing a culturally-tailored version of the Montreal Battery of Evaluation of Amusia. In the present study, we administered a novel set of perceptual judgement tasks designed to investigate the ability to appreciate holistic prosodic aspects of 'expressiveness' and emotion in phrase length music and speech stimuli. Our results show that, although diagnosed as a congenital amusic, B.Z. scored as well as healthy controls (N=24) on judging 'expressiveness' and emotional prosody in both speech and music stimuli. These findings suggest that the ability to make perceptual judgements about such prosodic qualities may be preserved in individuals who demonstrate difficulties perceiving basic musical features such as melody or rhythm. B.Z.'s case yields new insights into amusia and the processing of speech and music prosody through a holistic approach. The employment of novel stimuli with relatively fewer non-naturalistic manipulations, as developed for this study, may be a useful tool for revealing unexplored aspects of music and speech cognition and offer the possibility to further the investigation of the perception of acoustic streams in more authentic auditory conditions.
我们对一位希腊成年失歌症患者B.Z.进行了一项随访研究。2010年,帕拉斯凯沃普洛斯、察斯皮尼和佩雷茨报告称,B.Z.在音阶、音高轮廓、音程和节拍方面表现受损,当时采用的是经文化调整后的蒙特利尔失歌症评估量表。在本研究中,我们实施了一组全新的感知判断任务,旨在调查对乐句长度的音乐和语音刺激中“表现力”和情感等整体韵律方面的欣赏能力。我们的结果表明,尽管B.Z.被诊断为先天性失歌症,但在判断语音和音乐刺激中的“表现力”和情感韵律方面,其得分与健康对照组(N = 24)相当。这些发现表明,对于那些在感知旋律或节奏等基本音乐特征方面存在困难的个体,对这种韵律特质进行感知判断的能力可能得以保留。B.Z.的案例通过一种整体方法,为失歌症以及语音和音乐韵律的处理带来了新的见解。为本研究开发的、非自然主义操作相对较少的新型刺激,可能是揭示音乐和语音认知未被探索方面的有用工具,并为在更真实的听觉条件下进一步研究声流感知提供了可能性。