Tillmann Barbara, Lalitte Philippe, Albouy Philippe, Caclin Anne, Bigand Emmanuel
CNRS, UMR5292, INSERM, U1028, Lyon Neuroscience Research Center, Auditory Cognition and Psychoacoustics team, Lyon F-69000, France; University Lyon 1, Lyon F-69000, France.
Centre George Chevrier UMR 7366, Université de Bourgogne, F-21000, France.
Neuropsychologia. 2016 May;85:10-8. doi: 10.1016/j.neuropsychologia.2016.02.027. Epub 2016 Mar 2.
Congenital amusia is a neurodevelopmental disorder of music perception and production, which has been attributed to a major deficit in pitch processing. While most studies and diagnosis tests have used explicit investigation methods, recent studies using implicit investigation approaches have revealed some unimpaired pitch structure processing in congenital amusia. The present study investigated amusic individuals' processing of tonal structures (e.g., musical structures respecting the Western tonal system) via three different questions. Amusic participants and their matched controls judged tonal versions (original musical excerpts) and atonal versions (with manipulated pitch content to remove tonal structures) of 12 musical pieces. For each piece, participants answered three questions that required judgments from different perspectives: an explicit structural one, a personal, emotional one and a more social one (judging the perception of others). Results revealed that amusic individuals' judgments differed between tonal and atonal versions. However, the question type influenced the extent of the revealed structure processing: while amusic individuals were impaired for the question requiring explicit structural judgments, they performed as well as their matched controls for the two other questions. Together with other recent studies, these findings suggest that congenital amusia might be related to a disorder of the conscious access to music processing rather than music processing per se.
先天性失歌症是一种音乐感知和产生方面的神经发育障碍,其被归因于音高处理方面的重大缺陷。虽然大多数研究和诊断测试都采用了明确的调查方法,但最近使用隐性调查方法的研究表明,先天性失歌症患者在音高结构处理方面存在一些未受损的情况。本研究通过三个不同的问题,调查了失歌症个体对音调结构(例如,符合西方音调系统的音乐结构)的处理情况。失歌症参与者及其匹配的对照组对12首音乐作品的音调版本(原始音乐片段)和无调版本(通过操纵音高内容以去除音调结构)进行了判断。对于每一首作品,参与者回答了三个需要从不同角度进行判断的问题:一个是明确的结构问题,一个是个人情感问题,还有一个是更具社会性的问题(判断他人的感知)。结果显示,失歌症个体在音调版本和无调版本之间的判断存在差异。然而,问题类型影响了所揭示的结构处理程度:虽然失歌症个体在需要明确结构判断的问题上表现受损,但在另外两个问题上,他们的表现与匹配的对照组一样好。与其他近期研究一起,这些发现表明,先天性失歌症可能与有意识地获取音乐处理的障碍有关,而不是与音乐处理本身有关。