Smith Gregory Dale
Indianapolis Museum of Art, 4000 Michigan Road, Indianapolis, IN 46208, United States.
Forensic Sci Int. 2017 Jul;276:e30-e34. doi: 10.1016/j.forsciint.2017.04.013. Epub 2017 Apr 27.
In a recent technical note in this Journal, de Faria et al., 2017 [1] reported the Raman spectrum of authentic Indian yellow artists' pigment, correcting a decades old reference spectrum that has led to the misidentification of this pigment in artworks that actually contained tartrazine yellow. The present communication provides additional information and corrects important experimental details mentioned by de Faria et al. that should lead to further identifications of the authentic pigment in artworks. Despite their claim that the analysis of this naturally fluorescent colorant is only possible with Fourier transform (FT) instruments, the ready characterization of two authentic samples of historic Indian yellow pigment is demonstrated here using commonly available visible and near-infrared excitation sources on a dispersive Raman microspectrometer. To highlight the importance of the proper identification of dyes and colorants, the authentication and art historical implications of previous literature reports that have misidentified Indian yellow on historic documents are more thoroughly discussed here from a forensic science point of view. The numerous modern pigments that are sold as imitation Indian yellow are addressed and analyzed, allowing the ready noninvasive detection of anachronistic colorants in attempted forgeries. Finally, this unusual pigment is positively identified for the first time using non-invasive dispersive Raman microspectroscopy on a historic object of uncertain date, a highly decorative manuscript from the Indian subcontinent.
在本期刊最近的一篇技术札记中,德法里亚等人(2017年)[1]报告了正宗印度黄艺术家颜料的拉曼光谱,纠正了一个数十年之久的参考光谱,该光谱导致在实际含有酒石黄的艺术品中对这种颜料的误认。本通讯提供了更多信息,并纠正了德法里亚等人提到的重要实验细节,这应有助于进一步鉴定艺术品中的正宗颜料。尽管他们声称只有使用傅里叶变换(FT)仪器才能分析这种天然荧光着色剂,但本文展示了在色散拉曼光谱仪上使用常见的可见和近红外激发源对两份历史悠久的正宗印度黄颜料样品进行快速表征。为了突出正确鉴定染料和着色剂的重要性,本文从法医学角度更深入地讨论了以往文献报道中在历史文献上误认印度黄的鉴定及艺术史意义。对众多作为仿印度黄出售的现代颜料进行了探讨和分析,从而能够在试图伪造的物品中轻松地非侵入性检测出不合时宜的着色剂。最后,首次使用非侵入性色散拉曼光谱法在一件年代不确定的历史物品——一件来自印度次大陆的高度装饰性手稿上,明确鉴定出了这种不寻常的颜料。