Lomas T, Etcoff N, Van Gordon W, Shonin E
School of Psychology, University of East London, London, UK.
Department of Psychology, Harvard University, Cambridge, MA, USA.
J Relig Health. 2017 Oct;56(5):1720-1739. doi: 10.1007/s10943-017-0446-5.
Amidst the burgeoning enthusiasm for mindfulness in the West, there is a concern that the largely secular 'de-contextualized' way in which it is being harnessed is denuding it of its potential to improve health and well-being. As such, efforts are underway to 're-contextualize' mindfulness, explicitly drawing on the wider framework of Buddhist ideas and practices in which it was initially developed. This paper aims to contribute to this, doing so by focusing on Zen Buddhism, and in particular on Zen aesthetic principles. The article concentrates on the seven principles identified by Hisamatsu (1971) in his classic text Zen and the Fine Arts: kanso (simplicity); fukinsei (asymmetry); koko (austere sublimity); shizen (naturalness); daisuzoku (freedom from routine); sei-jaku (tranquillity); and yūgen (profound grace). The presence of these principles in works of art is seen as reflecting and communicating insights that are central to Buddhism, such as non-attachment. Moreover, these principles do not only apply to the creation and appreciation of art, but have clear applications for treating health-related issues, and improving quality of life more generally. This paper makes the case that embodying these principles in their lives can help people enhance their psychosomatic well-being, and come to a truer understanding of the essence of mindful living.
在西方对正念日益高涨的热情之中,有一种担忧认为,目前正念被运用的方式在很大程度上是世俗化且“脱离语境”的,这正在剥夺其改善健康和幸福的潜力。因此,人们正在努力对正念进行“重新语境化”,明确借鉴其最初发展时所依托的更广泛的佛教思想与实践框架。本文旨在为此做出贡献,具体做法是聚焦禅宗佛教,尤其是禅宗美学原则。文章着重探讨了久松真一(1971 年)在其经典著作《禅与美术》中所确定的七条原则:简素(kanso);不对称(fukinsei);枯高(koko);自然(shizen);离执(daisuzoku);静寂(sei-jaku);幽玄(yūgen)。这些原则在艺术作品中的呈现被视为反映并传达了对佛教至关重要的见解,比如不执着。此外,这些原则不仅适用于艺术创作与欣赏,在治疗与健康相关的问题以及更普遍地改善生活质量方面也有明确的应用。本文认为,在生活中践行这些原则能够帮助人们提升身心健康,并更真切地理解正念生活的本质。