Suppr超能文献

标准音程大小会影响纯音旋律音程的音程辨别阈值。

Standard-interval size affects interval-discrimination thresholds for pure-tone melodic pitch intervals.

作者信息

McClaskey Carolyn M

机构信息

Department of Otolaryngology - Head and Neck Surgery, Medical University of South Carolina, Charleston, SC, 29425, USA.

出版信息

Hear Res. 2017 Nov;355:64-69. doi: 10.1016/j.heares.2017.09.008. Epub 2017 Sep 18.

Abstract

Our ability to discriminate between pitch intervals of different sizes is not only an important aspect of speech and music perception, but also a useful means of evaluating higher-level pitch perception. The current study examined how pitch-interval discrimination was affected by the size of the intervals being compared, and by musical training. Using an adaptive procedure, pitch-interval discrimination thresholds were measured for sequentially presented pure-tone intervals with standard intervals of 1 semitone (minor second), 6 semitones (the tri-tone), and 7 semitones (perfect fifth). Listeners were classified into three groups based on musical experience: non-musicians had less than 3 years of informal musical experience, amateur musicians had at least 10 years of experience but no formal music theory training, and expert musicians had at least 12 years of experience with 1 year of formal ear training, and were either currently pursuing or had earned a Bachelor's degree as either a music major or music minor. Consistent with previous studies, discrimination thresholds obtained from expert musicians were significantly lower than those from other listeners. Thresholds also significantly varied with the magnitude of the reference interval and were higher for conditions with a 6- or 7-semitone standard than a 1-semitone standard. These data show that interval-discrimination thresholds are strongly affected by the size of the standard interval.

摘要

我们区分不同大小音程的能力不仅是语音和音乐感知的一个重要方面,也是评估高级音高感知的一种有用手段。当前的研究考察了音程辨别如何受到所比较音程大小以及音乐训练的影响。使用一种自适应程序,对依次呈现的纯音音程测量音程辨别阈值,标准音程分别为1个半音(小二度)、6个半音(三全音)和7个半音(纯五度)。根据音乐经验将听众分为三组:非音乐家有不到3年的非正式音乐经验,业余音乐家有至少10年经验但没有接受过正规音乐理论训练,专家音乐家有至少12年经验且接受过1年正规听力训练,并且目前正在攻读或已获得音乐专业或副修音乐的学士学位。与先前的研究一致,专家音乐家获得的辨别阈值显著低于其他听众。阈值也随参考音程的大小显著变化,对于6个半音或7个半音标准的情况,阈值高于1个半音标准的情况。这些数据表明,音程辨别阈值受到标准音程大小的强烈影响。

相似文献

1
Standard-interval size affects interval-discrimination thresholds for pure-tone melodic pitch intervals.
Hear Res. 2017 Nov;355:64-69. doi: 10.1016/j.heares.2017.09.008. Epub 2017 Sep 18.
2
Pitch-interval discrimination and musical expertise: is the semitone a perceptual boundary?
J Acoust Soc Am. 2012 Aug;132(2):984-93. doi: 10.1121/1.4733535.
3
Effects of musical and linguistic experience on categorization of lexical and melodic tones.
J Acoust Soc Am. 2016 May;139(5):2432. doi: 10.1121/1.4947497.
4
Musical pitch and lexical tone perception with cochlear implants.
Int J Audiol. 2011 Apr;50(4):270-8. doi: 10.3109/14992027.2010.542490. Epub 2010 Dec 29.
5
Influence of musical and psychoacoustical training on pitch discrimination.
Hear Res. 2006 Sep;219(1-2):36-47. doi: 10.1016/j.heares.2006.05.004. Epub 2006 Jul 12.
7
Musical training enhances automatic encoding of melodic contour and interval structure.
J Cogn Neurosci. 2004 Jul-Aug;16(6):1010-21. doi: 10.1162/0898929041502706.
8
Pitch discrimination: are professional musicians better than non-musicians?
J Basic Clin Physiol Pharmacol. 2001;12(2 Suppl):125-43. doi: 10.1515/jbcpp.2001.12.2.125.
9
Musical intervals and relative pitch: frequency resolution, not interval resolution, is special.
J Acoust Soc Am. 2010 Oct;128(4):1943-51. doi: 10.1121/1.3478785.

引用本文的文献

2
The role of carrier spectral composition in the perception of musical pitch.
Atten Percept Psychophys. 2023 Aug;85(6):2083-2099. doi: 10.3758/s13414-023-02761-x. Epub 2023 Jul 21.
3
The perception of octave pitch affinity and harmonic fusion have a common origin.
Hear Res. 2021 May;404:108213. doi: 10.1016/j.heares.2021.108213. Epub 2021 Feb 19.

本文引用的文献

1
Melodic interval perception by normal-hearing listeners and cochlear implant users.
J Acoust Soc Am. 2014 Oct;136(4):1831-44. doi: 10.1121/1.4894738.
2
The effect of instrumental timbre on interval discrimination.
PLoS One. 2013 Sep 16;8(9):e75410. doi: 10.1371/journal.pone.0075410. eCollection 2013.
3
Pitch-interval discrimination and musical expertise: is the semitone a perceptual boundary?
J Acoust Soc Am. 2012 Aug;132(2):984-93. doi: 10.1121/1.4733535.
4
The effect of intensity on relative pitch.
Q J Exp Psychol (Hove). 2012;65(10):2054-72. doi: 10.1080/17470218.2012.678369. Epub 2012 May 31.
5
Musical intervals and relative pitch: frequency resolution, not interval resolution, is special.
J Acoust Soc Am. 2010 Oct;128(4):1943-51. doi: 10.1121/1.3478785.
6
The minor third communicates sadness in speech, mirroring its use in music.
Emotion. 2010 Jun;10(3):335-48. doi: 10.1037/a0017928.
7
Individual differences reveal the basis of consonance.
Curr Biol. 2010 Jun 8;20(11):1035-41. doi: 10.1016/j.cub.2010.04.019. Epub 2010 May 20.
8
Effect of intonation on cantonese lexical tones.
J Acoust Soc Am. 2006 Dec;120(6):3978-87. doi: 10.1121/1.2363927.
9
Influence of musical and psychoacoustical training on pitch discrimination.
Hear Res. 2006 Sep;219(1-2):36-47. doi: 10.1016/j.heares.2006.05.004. Epub 2006 Jul 12.
10
An interval size illusion: the influence of timbre on the perceived size of melodic intervals.
Percept Psychophys. 2005 May;67(4):559-68. doi: 10.3758/bf03193514.

文献AI研究员

20分钟写一篇综述,助力文献阅读效率提升50倍。

立即体验

用中文搜PubMed

大模型驱动的PubMed中文搜索引擎

马上搜索

文档翻译

学术文献翻译模型,支持多种主流文档格式。

立即体验