Thomson Paula, Jaque S V
Department of Kinesiology, California State University, Northridge, Los Angeles, CA, United States.
York University, Toronto, ON, Canada.
Front Psychol. 2018 Feb 9;9:111. doi: 10.3389/fpsyg.2018.00111. eCollection 2018.
Childhood adversity is identified as any exposure to abuse, neglect or family dysfunction. Greater exposure to childhood adversity has been strongly identified with increased morbidity and mortality. The aim of this study was to examine differences in creative experiences, fantasy proneness, dispositional flow, exposure to adult traumatic events, and psychopathology (internalized shame, trait anxiety), amongst professional performing artists who experienced no childhood adversity, some adversity, or substantial adversity. This cross-section IRB approved study examined 234 professional performers (dancers, opera singers, actors, directors, musicians). Self-report measurements were included to examine the following psychological factors: adverse childhood experiences (ACEs), experience of creativity questionnaire, dispositional flow, trait anxiety, internalized shame, fantasy, and total adult and childhood traumatic events. The sample was divided into three groups based on ACE scores: 0 ACE ( = 93), 1-3 ACEs ( = 95), ≥4 ACEs ( = 42). The MANCOVA (with age and gender as covariates) results revealed no significant ( = 0.280) differences between all three ACE groups for the nine flow scales (optimal performance measurements). Performing artists with ≥4 ACEs had significantly stronger creative experiences ( = 0.006) related to distinct creative processing, absorption, and a transformational sense of self and the world. They were also more fantasy prone, shame-based, anxious, and experienced more cumulative past traumatic events ( < 0.001). Although the high ACE group experienced greater negative effects, they also endorsed positive creative performance experiences.
童年逆境被定义为任何遭受虐待、忽视或家庭功能失调的经历。大量研究表明,童年逆境经历越多,发病率和死亡率越高。本研究旨在探讨在未经历童年逆境、经历过一些逆境或经历过大量逆境的专业表演艺术家中,创造性体验、幻想倾向、心流倾向、成人创伤事件暴露以及精神病理学(内化羞耻感、特质焦虑)方面的差异。这项经机构审查委员会(IRB)批准的横断面研究,对234名专业表演者(舞蹈演员、歌剧演唱家、演员、导演、音乐家)进行了调查。研究采用自我报告测量法,以考察以下心理因素:童年不良经历(ACEs)、创造力体验问卷、心流倾向、特质焦虑、内化羞耻感、幻想,以及成人和童年时期的创伤事件总数。根据ACE得分,样本被分为三组:0次ACE(n = 93)、1 - 3次ACE(n = 95)、≥4次ACE(n = 42)。协方差分析(以年龄和性别作为协变量)结果显示,在九个心流量表(最佳表现测量指标)上,三组ACE组之间没有显著差异(p = 0.280)。ACE≥4次的表演者在与独特的创造性加工、沉浸感以及自我和世界的转变感相关的创造性体验方面显著更强(p = 0.006)。他们也更容易产生幻想、基于羞耻感、焦虑,并且经历过更多累积的过去创伤事件(p < 0.001)。尽管高ACE组经历了更大的负面影响,但他们也认可积极的创造性表现体验。