Department of Music, The University of Sheffield, Jessop Building, 34 Leavygreave Road, Sheffield S3 7RD, United Kingdom.
Conscious Cogn. 2018 May;61:94-106. doi: 10.1016/j.concog.2018.04.005. Epub 2018 Apr 17.
This review provides a commentary on coloured-hearing arising on hearing music: music-colour synaesthesia. Although traditionally explained by the hyperconnectivity theory (Ramachandran & Hubbard, 2001a) and the disinhibited feedback theory (Grossenbacher & Lovelace, 2001) as a purely perceptual phenomenon, the review of eight coloured-hearing neuroimaging studies shows that it may not be assumed that these explanations are directly translatable to music-colour synaesthesia. The concept of 'ideaesthesia' (Nikolić, 2009) and the role of conceptual and semantic inducers challenge the likelihood of a single mechanism underlying the cause of synaesthesia and argue for a move away from a purely sensory to sensory explanation. Finally, music-colour synaesthesia forms a challenge for established philosophical theories and the position of synaesthesia is considered within the larger context of musical qualia.
这篇综述对音乐致色觉现象（音乐-颜色联觉）进行了评论。虽然传统上它被超连接理论（Ramachandran & Hubbard，2001a）和去抑制反馈理论（Grossenbacher & Lovelace，2001）解释为纯粹的知觉现象，但对八项彩色听觉神经影像学研究的综述表明，不能假设这些解释可以直接转化为音乐-颜色联觉。“观念联觉”的概念（Nikolić，2009）和概念与语义诱发物的作用，对导致联觉的单一机制的可能性提出了挑战，并主张从纯粹的感觉解释转向感觉解释。最后，音乐-颜色联觉对联觉的既定哲学理论构成了挑战，联觉的地位在更大的音乐性质背景下进行了考虑。
