School of Creative Arts Therapies, Hecht Arts Center, University of Haifa.
Centre for Music & Science, Faculty of Music, University of Cambridge.
Emotion. 2019 Aug;19(5):808-817. doi: 10.1037/emo0000474. Epub 2018 Aug 20.
Music plays a significant role in human life. It is a form of art and entertainment and a powerful medium for interpersonal interaction. The experience of listening to music is often emotional. Previous research has elucidated many of the mechanisms that effect an emotional response in the listener. In contrast, much less is known about how joint musical engagement impacts emotions. Here we focus on synchronized rhythmic interaction, a fundamental feature of musical engagement. There are theoretical reasons for hypothesizing that synchronized interaction should elicit positive affect among interacting individuals, although empirical studies performed with adults have found little consistent evidence for such an effect. We revisited this question, studying children instead of adults, and used an implicit measure of experienced affect to compare children's responses to synchronized versus asynchronized joint tapping. Unlike previous studies, we distinguished between musically trained and untrained participants, because a background of musical training may be associated with altered emotional sensitivities to rhythmic interaction. We found a striking difference in emotional responses to synchronized versus asynchronized tapping, which strongly depended on musical training background. The untrained children responded to synchrony with more positive affect and less negative affect when compared to asynchrony, in line with theoretical predictions. In contrast, the musically trained children showed low positive affect following both synchrony and asynchrony and more negative affect in response to synchrony rather than asynchrony. These results suggest a possible emotional dissociation between synchronized and asynchronized interpersonal rhythmic interaction that may be influenced by musical training background. (PsycINFO Database Record (c) 2019 APA, all rights reserved).
音乐在人类生活中扮演着重要的角色。它是一种艺术和娱乐形式,也是人际互动的有力媒介。聆听音乐的体验往往是情感上的。先前的研究已经阐明了许多影响听众情感反应的机制。相比之下,人们对共同参与音乐如何影响情绪知之甚少。在这里,我们专注于同步节奏互动,这是音乐参与的一个基本特征。有理论依据假设,同步互动应该在互动个体中引起积极的情感,尽管对成年人进行的实证研究几乎没有发现这种效应的一致证据。我们重新研究了这个问题,研究的是儿童而不是成年人,并使用经历情感的内隐测量来比较儿童对同步与异步联合敲击的反应。与之前的研究不同,我们区分了有音乐训练背景和没有音乐训练背景的参与者,因为音乐训练背景可能与对节奏互动的情感敏感性改变有关。我们发现,对同步与异步敲击的情感反应存在显著差异,这种差异强烈依赖于音乐训练背景。与异步相比,未经训练的儿童在同步时表现出更多的积极情感和更少的消极情感,这与理论预测一致。相比之下,受过音乐训练的儿童在同步和异步时都表现出较低的积极情感,而在同步时表现出更多的消极情感,而不是异步时。这些结果表明,同步和异步人际节奏互动之间可能存在一种可能的情感分离,这种分离可能受到音乐训练背景的影响。(PsycINFO 数据库记录(c)2019 APA,保留所有权利)。