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舞蹈训练会影响节拍感觉运动同步吗?竞技交际舞舞者与非舞者在手指敲击感觉运动同步方面的差异。

Does dance training influence beat sensorimotor synchronization? Differences in finger-tapping sensorimotor synchronization between competitive ballroom dancers and nondancers.

作者信息

Jin Xinhong, Wang Biye, Lv Yuanxin, Lu Yingzhi, Chen Jiacheng, Zhou Chenglin

机构信息

Department of Sport Psychology, School of Sport Science, Shanghai University of Sport, Shanghai, People's Republic of China.

Department of Physical Education, Yangzhou University, Yangzhou, People's Republic of China.

出版信息

Exp Brain Res. 2019 Mar;237(3):743-753. doi: 10.1007/s00221-018-5410-4. Epub 2019 Jan 2.

Abstract

Sensorimotor synchronization is the coordination of rhythmic movement with an external beat. Dancers often synchronize each beat of their motion with an external rhythm. Compared with social dancing, competitive ballroom dancing requires a higher level of sensorimotor ability. Although previous studies have found that dance experience may facilitate sensorimotor synchronization, they did not examine this in competitive ballroom dancers. Thus, the present study compared sensorimotor synchronization in 41 nondancers and 41 skilled, competitive ballroom dancers as they performed a simple beat synchronization finger-tapping task. All participants finger-tapped freely at their preferred tempo before the formal experiments. Participants were then required to synchronize their finger-tapping with auditory, visual, or combined audiovisual signals in separate experiments and at varying tempos. To assess sensorimotor plasticity, the participants then repeated the free-tapping task after completing all three finger-tapping experiments. Compared with nondancers, dancers showed more accurate and stable beat synchronization. Dancers tapped before onset of all three types of sensorimotor stimulation, indicating a significant negative mean asynchrony and had a tendency to anticipate (predict) the stimuli. Dancers tended to auditory stimulation for beat sensorimotor synchronization, whereas nondancers tended to visual stimuli. Dancers had a faster tempo preference in the initial free-tapping task; however, the preferred tapping tempo increased in all participants in the second free-tapping task, suggesting that beat induction is affected by practice. Together these findings suggest that dance experience enhances sensorimotor synchronization and sensorimotor plasticity, with ballroom dancers tending to auditory stimulation for beat induction.

摘要

感觉运动同步是指有节奏的动作与外部节拍的协调。舞者常常会使自己动作的每一拍与外部节奏同步。与社交舞蹈相比,竞技性交际舞需要更高水平的感觉运动能力。尽管先前的研究发现舞蹈经验可能有助于感觉运动同步,但这些研究并未在竞技性交际舞舞者身上进行检验。因此,本研究比较了41名非舞者和41名熟练的竞技性交际舞舞者在执行简单的节拍同步手指敲击任务时的感觉运动同步情况。在正式实验前,所有参与者都以自己喜欢的节奏自由敲击手指。然后,要求参与者在单独的实验中,以不同的节奏将他们的手指敲击与听觉、视觉或视听组合信号同步。为了评估感觉运动可塑性,参与者在完成所有三项手指敲击实验后,重复自由敲击任务。与非舞者相比,舞者表现出更准确、更稳定的节拍同步。舞者在所有三种类型的感觉运动刺激开始之前就开始敲击,这表明平均异步性显著为负,并且有预测刺激的倾向。舞者在节拍感觉运动同步方面倾向于听觉刺激,而非舞者则倾向于视觉刺激。在最初的自由敲击任务中,舞者有更快的节奏偏好;然而,在第二次自由敲击任务中,所有参与者的偏好敲击节奏都增加了,这表明节拍诱导受练习影响。这些发现共同表明,舞蹈经验增强了感觉运动同步和感觉运动可塑性,交际舞舞者在节拍诱导方面倾向于听觉刺激。

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