College of Science, Health, Engineering and Education.
J Exp Psychol Hum Percept Perform. 2019 May;45(5):585-600. doi: 10.1037/xhp0000629. Epub 2019 Mar 18.
Presenting a stimulus at the most expected point in time should benefit its perceptual processing (Jones, 1976; Large & Jones, 1999). For example, accuracy decreases when comparing the pitch of two tones separated by a sequence of temporally regular distractors if the final tone is shifted away from the expected time (Jones, Moynihan, MacKenzie, & Puente, 2002). However, recent research could not replicate this effect (Bauer, Jaeger, Thorne, Bendixen, & Debener, 2015), so we explored possible explanations. First, we varied the size and probability of timing shifts of the comparison tone in 7 experimental combinations ( = 16 in each). Second, we strengthened temporal expectancies by using a rhythmically rich distractor sequence, either repeating the standard tone at the end of the sequence ( = 26) or not ( = 28). Third, we had listeners compare either the timbre ( = 55) or the loudness ( = 24) instead of pitch. No effects of temporal expectancy (nor interactions with musical training) emerged in these experiments; however, they did occur when participants judged the relative duration of time intervals ( = 38). That is, a temporal expectancy profile was only observable in the context of a temporal task, and did not generalize to other domains. (PsycINFO Database Record (c) 2019 APA, all rights reserved).
在最预期的时间呈现刺激应该有利于其感知处理(Jones,1976;Large & Jones,1999)。例如,如果最后一个音偏离预期时间,那么比较两个由时间规则的干扰音隔开的音高时,准确性会降低(Jones、Moynihan、MacKenzie 和 Puente,2002)。然而,最近的研究无法复制这种效果(Bauer、Jaeger、Thorne、Bendixen 和 Debener,2015),因此我们探讨了可能的解释。首先,我们在 7 种实验组合中改变了比较音的大小和定时移位的概率(每组 16 个)。其次,我们通过使用节奏丰富的干扰音序列来增强时间期望,即在序列末尾重复标准音(= 26)或不重复(= 28)。第三,我们让听众比较音色(= 55)或响度(= 24)而不是音高。在这些实验中,时间期望没有出现影响(也没有与音乐训练的交互作用);然而,当参与者判断时间间隔的相对持续时间时,确实会出现这种情况(= 38)。也就是说,时间期望的轮廓只有在时间任务的背景下才能观察到,而不能推广到其他领域。(PsycINFO 数据库记录(c)2019 APA,保留所有权利)。