Li Sara T K, Chung Susana T L, Hsiao Janet H
Department of Psychology, University of Hong Kong, Hong Kong, SAR.
School of Optometry, University of California Berkeley, Berkeley, CA, USA.
J Vis. 2019 Apr 1;19(4):10. doi: 10.1167/19.4.10.
Recent research has suggested that the visual span in stimulus identification can be enlarged through perceptual learning. Since both English and music reading involve left-to-right sequential symbol processing, music-reading experience may enhance symbol identification through perceptual learning particularly in the right visual field (RVF). In contrast, as Chinese can be read in all directions, and components of Chinese characters do not consistently form a left-right structure, this hypothesized RVF enhancement effect may be limited in Chinese character identification. To test these hypotheses, here we recruited musicians and nonmusicians who read Chinese as their first language (L1) and English as their second language (L2) to identify music notes, English letters, Chinese characters, and novel symbols (Tibetan letters) presented at different eccentricities and visual field locations on the screen while maintaining central fixation. We found that in English letter identification, significantly more musicians achieved above-chance performance in the center-RVF locations than nonmusicians. This effect was not observed in Chinese character or novel symbol identification. We also found that in music note identification, musicians outperformed nonmusicians in accuracy in the center-RVF condition, consistent with the RVF enhancement effect in the visual span observed in English-letter identification. These results suggest that the modulation of music-reading experience on the visual span for stimulus identification depends on the similarities in the perceptual processes involved.
最近的研究表明,通过知觉学习可以扩大刺激识别中的视觉广度。由于英文阅读和音乐阅读都涉及从左到右的顺序符号处理,音乐阅读经验可能会通过知觉学习增强符号识别能力,尤其是在右视野(RVF)。相比之下,由于中文可以向各个方向阅读,且汉字的组成部分并不总是形成左右结构,这种假设的右视野增强效应在汉字识别中可能会受到限制。为了验证这些假设,我们招募了以中文为第一语言(L1)、英文为第二语言(L2)的音乐家和非音乐家,让他们在保持中央注视的同时,识别屏幕上不同离心率和视野位置呈现的音符、英文字母、汉字和新符号(藏文)。我们发现,在英文字母识别中,与非音乐家相比,显著更多的音乐家在中央右视野位置达到了高于随机水平的表现。在汉字或新符号识别中未观察到这种效应。我们还发现,在音符识别中,音乐家在中央右视野条件下的准确率高于非音乐家,这与在英文字母识别中观察到的视觉广度右视野增强效应一致。这些结果表明,音乐阅读经验对刺激识别视觉广度的调节取决于所涉及的知觉过程的相似性。