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小提琴演奏中表情的短语级建模。

Phrase-Level Modeling of Expression in Violin Performances.

作者信息

Ortega Fábio J M, Giraldo Sergio I, Perez Alfonso, Ramírez Rafael

机构信息

Music Technology Group, Machine Learning and Music Lab, Department of Communication and Information Technology, Pompeu Fabra University, Barcelona, Spain.

出版信息

Front Psychol. 2019 Apr 11;10:776. doi: 10.3389/fpsyg.2019.00776. eCollection 2019.

Abstract

Expression is a key skill in music performance, and one that is difficult to address in music lessons. Computational models that learn from expert performances can help providing suggestions and feedback to students. We propose and analyze an approach to modeling variations in dynamics and note onset timing for solo violin pieces with the purpose of facilitating expressive performance learning in new pieces, for which no reference performance is available. The method generates phrase-level predictions based on musical score information on the assumption that expressiveness is idiomatic, and thus influenced by similar-sounding melodies. Predictions were evaluated numerically using three different datasets and against note-level machine-learning models, and also perceptually by listeners, who were presented to synthesized versions of musical excerpts, and asked to choose the most human-sounding one. Some of the presented excerpts were synthesized to reflect the variations in dynamics and timing predicted by the model, whereas others were shaped to reflect the dynamics and timing of an actual expert performance, and a third group was presented with no expressive variations. surprisingly, none of the three synthesized versions was consistently selected as human-like nor preferred with statistical significance by listeners. Possible interpretations of these results include the fact that the melodies might have been impossible to interpret outside their musical context, or that expressive features that were left out of the modeling such as note articulation and vibrato are, in fact, essential to the perception of expression in violin performance. Positive feedback by some listeners toward the modeled melodies in a blind setting indicate that the modeling approach was capable of generating appropriate renditions at least for a subset of the data. Numerically, performance in phrase-level suffers a small degradation if compared to note-level, but produces predictions easier to interpret visually, thus more useful in a pedagogical setting.

摘要

表现力是音乐表演中的一项关键技能,也是在音乐课中难以解决的问题。从专家表演中学习的计算模型可以帮助为学生提供建议和反馈。我们提出并分析了一种为独奏小提琴曲目的力度变化和音符起始时间建模的方法,目的是促进对没有参考表演的新曲目的表现力学习。该方法基于乐谱信息生成乐句级别的预测,假设表现力是符合习惯的,因此会受到听起来相似的旋律的影响。使用三个不同的数据集并与音符级机器学习模型进行数值评估预测,同时也由听众进行感知评估,听众会听到音乐片段的合成版本,并被要求选择最具人类风格的版本。一些呈现的片段被合成以反映模型预测的力度和时间变化,而其他片段则被塑造以反映实际专家表演的力度和时间,第三组则呈现没有表现力变化的版本。令人惊讶的是,听众并没有一致地将这三个合成版本中的任何一个选为类似人类的版本,也没有在统计学上显著偏好它们。这些结果的可能解释包括,旋律可能在其音乐背景之外无法解释,或者建模中遗漏的诸如音符清晰度和颤音等表现力特征实际上对于小提琴表演中的表现力感知至关重要。一些听众在盲听环境中对建模旋律的积极反馈表明,该建模方法至少能够为一部分数据生成合适的演绎。在数值上,与音符级别相比,乐句级别的表现略有下降,但生成的预测在视觉上更易于解释,因此在教学环境中更有用。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/94a8/6470278/c32ff0a0a3cd/fpsyg-10-00776-g0001.jpg

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