EuroMov, Univ. Montpellier, Montpellier, France.
The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith, Australia.
Psychol Res. 2020 Nov;84(8):2196-2209. doi: 10.1007/s00426-019-01208-z. Epub 2019 Jun 15.
Humans spontaneously synchronize their movements with external auditory rhythms such as a metronome or music. Although such synchronization preferentially occurs toward a simple 1:1 movement-sound frequency ratio, the parameters facilitating spontaneous synchronization to more complex frequency ratios remain largely unclear. The present study investigates the dynamics of spontaneous auditory-motor synchronization at a range of frequency ratios between movement and sound, and examines the benefit of simple accentuation pattern on synchronization emergence and stability. Participants performed index finger oscillations at their preferred tempo while listening to a metronome presented at either their preferred tempo, or twice or three times faster (frequency ratios of 1:1, 1:2 or 1:3) with different patterns of accentuation (unaccented, binary or ternary accented), and no instruction to synchronize. Participants' movements were spontaneously entrained to the auditory stimuli in the three different frequency ratio conditions. Moreover, the emergence and stability of the modes of coordination were influenced by the interaction between frequency ratio and pattern of accentuation. Coherent patterns, such as a 1:3 frequency ratio supported by a ternary accentuation, facilitated the emergence and stability of the corresponding mode of coordination. Furthermore, ternary accentuation induced a greater gain in stability for the corresponding mode of coordination than was observed with binary accentuation. Together, these findings demonstrate the importance of matching accentuation pattern and movement tempo for enhanced synchronization, opening new perspectives for stabilizing complex rhythmic motor behaviors, such as running.
人类会自发地使自己的动作与外部听觉节奏同步,例如节拍器或音乐。尽管这种同步优先发生在简单的 1:1 动作-声音频率比,但促进向更复杂频率比自发同步的参数在很大程度上仍不清楚。本研究在一系列动作与声音之间的频率比范围内,研究了自发听觉-运动同步的动力学,并检验了简单重音模式对同步出现和稳定性的益处。参与者在以自己喜欢的节奏进行食指摆动的同时,聆听以自己喜欢的节奏或以快两倍或三倍(频率比为 1:1、1:2 或 1:3)的速度呈现的节拍器,并且有不同的重音模式(无重音、二进制重音或三进制重音),没有同步的指令。在这三种不同频率比条件下,参与者的动作自发地与听觉刺激同步。此外,协调模式的出现和稳定性受到频率比和重音模式之间相互作用的影响。连贯的模式,如由三进制重音支持的 1:3 频率比,促进了相应协调模式的出现和稳定性。此外,与二进制重音相比,三进制重音引起的对应协调模式的稳定性增益更大。总之,这些发现表明,匹配重音模式和动作节奏对于增强同步非常重要,为稳定复杂的节奏运动行为(如跑步)开辟了新的视角。