Bennett Robert
Lit Med. 2019;37(1):166-195. doi: 10.1353/lm.2019.0006.
Psychotropic medications have increasingly become a staple of modern life, with one in five adults now taking some kind of psychiatric pill. Consequently, our voracious consumption of psychotropic pills has begun to raise significant questions about how psychopharmacology radically transforms-modifies, manipulates, molds, and manufactures-human identities one pill at a time. Moreover, this biochemical micro-engineering of the human self has begun to emerge as one of contemporary culture's major preoccupations as new narratives-in memoir, literature, television, film, and popular music-have begun to explore not only mental illnesses themselves but also the medications we take to treat those illnesses. In this newly emergent genre, which I call the psychopharmacological thriller, new narrative techniques are being developed to probe the inner neurochemistry of the human brain, how medications alter that neurochemistry, and the wide-ranging questions raised by this brave new proliferation of psychopharmacology in everyday life.
精神药物越来越成为现代生活的一个主要组成部分,现在每五个成年人中就有一个在服用某种精神类药物。因此,我们对精神药物的大量消费开始引发一些重大问题,即精神药理学如何一次一粒药地从根本上改变、塑造、操控、塑造和制造人类身份。此外,这种对人类自我的生化微观工程已开始成为当代文化的主要关注点之一,因为新的叙事方式——在回忆录、文学、电视、电影和流行音乐中——不仅开始探索精神疾病本身,还探索我们用来治疗这些疾病的药物。在这种我称之为精神药理学惊悚片的新出现的体裁中,正在开发新的叙事技巧,以探究人类大脑的内在神经化学、药物如何改变这种神经化学,以及精神药理学在日常生活中这种大胆的新扩散所引发的广泛问题。