Department of English Studies, Durham University, Hallgarth House, 77 Hallgarth Street, Durham DH1 3AY, United Kingdom.
Department of Psychology, Durham University, Science Laboratories, South Road, Durham DH1 3LE, United Kingdom.
Conscious Cogn. 2020 Mar;79:102901. doi: 10.1016/j.concog.2020.102901. Epub 2020 Feb 26.
Writers often report vivid experiences of hearing characters talking to them, talking back to them, and exhibiting independence and autonomy. However, systematic empirical studies of this phenomenon are almost non-existent, and as a result little is known about its cause, extent, or phenomenology. Here we present the results of a survey of professional writers (n = 181) run in collaboration with the Edinburgh International Book Festival. Participants provided detailed descriptions of their experiences of their characters in response to a phenomenological questionnaire, and also reported on imaginary companions, inner speech and hallucination-proneness. Qualitative analysis indicated that the phenomenology of the experience of agentive characters varied in terms of the characters' separateness from the writer's self and the kinds of interaction this did or did not allow for. We argue that these variations can be understood in relation to accounts of mindreading and agency tracking which adopt intuitive as opposed to inferential models.
作家们经常报告生动的经历,例如听到角色与他们交谈、与他们对话,并表现出独立性和自主性。然而,对于这种现象的系统实证研究几乎不存在,因此人们对其原因、程度或现象学知之甚少。在这里,我们呈现了与爱丁堡国际图书节合作进行的一项专业作家调查(n=181)的结果。参与者根据现象学问卷详细描述了他们对角色的体验,还报告了想象中的伙伴、内在言语和幻觉倾向。定性分析表明,有能动性的角色的体验现象学在角色与作者自我的分离程度以及这种分离允许或不允许的交互类型方面存在差异。我们认为,这些差异可以根据采用直观而非推理模型的心理解读和代理追踪的解释来理解。