Tohoku University of Art and Design, Yamagata, Japan.
Psych J. 2020 Aug;9(4):519-523. doi: 10.1002/pchj.354. Epub 2020 Mar 22.
Art is mysterious and attractive, but sometimes difficult to understand. Especially, contemporary art is strange. I have lived as an artist for 30 years in that strange world. Some contemporary artworks look unfinished but are completed works. Or an artwork might be just a collection of garbage, but it is collected by a beautiful museum. How does a contemporary artist think and create a work? Also, what kind of aesthetic sense is required in judging a work, and distinguishing between finished and unfinished works? Or, what is the relationship between the concept and the physical work? Also, are the values of contemporary art completely different from those of Classical art, like that by Leonardo da Vinci or Rembrandt? I try here to describe the question about contemporary art and the thinking process required to make an artwork. It's a very complex process and judgment, but it's never a mystery or miracle; it's based on an accumulation of human aesthetics and many years of experience.
艺术神秘而迷人，但有时却难以理解。尤其是当代艺术更是奇特。我以艺术家的身份在这个奇特的世界里生活了 30 年。有些当代艺术品看起来未完成，但却是已完成的作品。或者一件艺术品可能只是一堆垃圾，但它被一个美丽的博物馆收藏了。当代艺术家是如何思考和创作作品的？此外，在评判一件作品时需要什么样的审美意识，以及如何区分完成和未完成的作品？或者，概念和实体作品之间的关系是什么？此外，当代艺术的价值观是否完全不同于莱奥纳多·达·芬奇或伦勃朗等古典艺术家的价值观？我在这里试图描述当代艺术的问题以及制作艺术品所需的思维过程。这是一个非常复杂的过程和判断，但它绝不是神秘或奇迹；它基于人类美学的积累和多年的经验。
