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刻画超越愉悦感的对艺术的情感反应:艺术作品的情感特征与观者情感反应之间的对应关系。

Characterizing the emotional response to art beyond pleasure: Correspondence between the emotional characteristics of artworks and viewers' emotional responses.

作者信息

Tinio Pablo P L, Gartus Andreas

机构信息

Montclair State University, Montclair, NJ, United States.

University of Vienna, Vienna, Austria.

出版信息

Prog Brain Res. 2018;237:319-342. doi: 10.1016/bs.pbr.2018.03.005. Epub 2018 Apr 13.

Abstract

Although emotions are some of the most discussed aspects of the experience of art, we know very little about what emotions people experience during aesthetic encounters. In this chapter, we used emotional heat maps-a novel approach to characterizing art viewers' aesthetic responses to art-to examine the following research questions in two museum studies: (1) What emotions do people experience after encounters with art, and how intense are these emotions? (2) To what extent do museum visitors experience the same emotions to a particular exhibition or artwork? and (3) To what extent is there a correspondence between the emotional characteristics of an art exhibition or artwork and the emotions that viewers experienced? Results showed that there was fairly good agreement among viewers regarding the emotions that they experienced in response to a particular artwork or exhibition and that there were correspondences between art viewers' emotional responses and the emotional characteristics of the exhibition or artwork that they viewed. The use of emotional heat maps was effective in going beyond traditional aesthetics measures of liking and pleasure and allowing a nuanced characterization of the aesthetic experience of art.

摘要

尽管情感是艺术体验中讨论最多的一些方面,但我们对人们在审美接触过程中所体验到的情感却知之甚少。在本章中,我们使用情感热图——一种刻画艺术观众对艺术的审美反应的新颖方法——在两项博物馆研究中考察了以下研究问题:(1)人们在接触艺术作品后会体验到哪些情感,这些情感的强度如何?(2)博物馆参观者对特定展览或艺术品体验相同情感的程度如何?以及(3)艺术展览或艺术品的情感特征与观众所体验到的情感之间的对应程度如何?结果表明,观众对于他们在对特定艺术品或展览的反应中所体验到的情感有相当高的一致性,并且艺术观众的情感反应与他们所观看的展览或艺术品的情感特征之间存在对应关系。情感热图的使用有效地超越了传统的关于喜好和愉悦的美学衡量标准,并允许对艺术的审美体验进行细致入微的刻画。

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