Department of Motion Picture Science, Rochester Institute of Technology, Rochester, NY 14623-5608;
Department of Psychology and Neuroscience, Skidmore College, Saratoga Springs, NY 12866.
Proc Natl Acad Sci U S A. 2020 May 26;117(21):11735-11743. doi: 10.1073/pnas.1917565117. Epub 2020 May 15.
Three-dimensional (3D) shape perception is one of the most important functions of vision. It is crucial for many tasks, from object recognition to tool use, and yet how the brain represents shape remains poorly understood. Most theories focus on purely geometrical computations (e.g., estimating depths, curvatures, symmetries). Here, however, we find that shape perception also involves sophisticated inferences that parse shapes into features with distinct causal origins. Inspired by marble sculptures such as Strazza's (1850), which vividly depict figures swathed in cloth, we created composite shapes by wrapping unfamiliar forms in textile, so that the observable surface relief was the result of complex interactions between the underlying object and overlying fabric. Making sense of such structures requires segmenting the shape based on their causes, to distinguish whether lumps and ridges are due to the shrouded object or to the ripples and folds of the overlying cloth. Three-dimensional scans of the objects with and without the textile provided ground-truth measures of the true physical surface reliefs, against which observers' judgments could be compared. In a virtual painting task, participants indicated which surface ridges appeared to be caused by the hidden object and which were due to the drapery. In another experiment, participants indicated the perceived depth profile of both surface layers. Their responses reveal that they can robustly distinguish features belonging to the textile from those due to the underlying object. Together, these findings reveal the operation of visual shape-segmentation processes that parse shapes based on their causal origin.
三维(3D)形状感知是视觉最重要的功能之一。它对于许多任务至关重要,从物体识别到工具使用,但大脑如何表示形状仍然知之甚少。大多数理论都集中在纯粹的几何计算上(例如,估计深度、曲率、对称性)。然而,在这里,我们发现形状感知还涉及到复杂的推断,这些推断将形状解析为具有不同因果起源的特征。受斯特拉扎(Strazza)(1850 年)等大理石雕塑的启发,这些雕塑生动地描绘了裹在布中的人物,我们用纺织品包裹不熟悉的形状来创造复合形状,因此可观察到的表面浮雕是底层物体和覆盖的织物之间复杂相互作用的结果。要理解这样的结构,需要根据它们的原因对形状进行分割,以区分肿块和脊线是由于被覆盖的物体还是由于覆盖的织物的波纹和褶皱。对有和没有纺织品的物体进行三维扫描,提供了真实物理表面浮雕的真实测量值,可以与观察者的判断进行比较。在虚拟绘画任务中,参与者指出哪些表面脊线似乎是由隐藏的物体引起的,哪些是由覆盖的织物引起的。在另一个实验中,参与者指出了两个表面层的感知深度轮廓。他们的反应表明,他们可以可靠地区分属于纺织品的特征与属于底层物体的特征。这些发现共同揭示了视觉形状分割过程的运作,这些过程根据其因果起源来解析形状。