University of New Mexico, Department of Music, MSC04-2570, l University of New Mexico, Albuquerque, NM, 87131, USA.
University of New Mexico, Department of Music, MSC04-2570, l University of New Mexico, Albuquerque, NM, 87131, USA; Brain and Behavioral Associates, 1014 Lomas Boulevard NW, Albuquerque, NM, 87102, USA; University of New Mexico, Department of Psychology, MXC03-2220, l University of New Mexico, Albuquerque, NM, 87131, USA.
Neuroimage. 2020 Sep;218:116940. doi: 10.1016/j.neuroimage.2020.116940. Epub 2020 May 15.
While the behavior of "being musically creative"- improvising, composing, songwriting, etc.-is undoubtedly a complex and highly variable one, recent neuroscientific investigation has offered significant insight into the neural underpinnings of many of the creative processes contributing to such behavior. A previous study from our research group (Bashwiner et al., 2016), which examined two aspects of brain structure as a function of creative musical experience, found significantly increased cortical surface area or subcortical volume in regions of the default-mode network, a motor planning network, and a "limbic" network. The present study sought to determine how these regions coordinate with one another and with other regions of the brain in a large number of participants (n = 218) during a task-neutral period, i.e., during the "resting state." Deriving from the previous study's results a set of eleven regions of interest (ROIs), the present study analyzed the resting-state functional connectivity (RSFC) from each of these seed regions as a function of creative musical experience (assessed via our Musical Creativity Questionnaire). Of the eleven ROIs investigated, nine showed significant correlations with a total of 22 clusters throughout the brain, the most significant being located in bilateral cerebellum, right inferior frontal gyrus, midline thalamus (particularly the mediodorsal nucleus), and medial premotor regions. These results support prior reports (by ourselves and others) implicating regions of the default-mode, executive, and motor-planning networks in musical creativity, while additionally-and somewhat unanticipatedly-including a potentially much larger role for the salience network than has been previously reported in studies of musical creativity.
虽然“音乐创造性行为”的行为——即兴创作、作曲、写歌等——无疑是复杂且高度多变的,但最近的神经科学研究为许多有助于这种行为的创造性过程的神经基础提供了重要的见解。我们研究小组的先前研究(Bashwiner 等人,2016 年),该研究考察了创造性音乐经验的两个方面对大脑结构的影响,发现默认模式网络、运动规划网络和“边缘”网络的区域中的皮质表面积或皮质下体积显著增加。本研究旨在确定在大量参与者(n=218)的任务中立期(即在“静息状态”期间),这些区域如何与彼此以及大脑的其他区域协调。从先前研究的结果中得出了一组 11 个感兴趣区域(ROI),本研究分析了来自这些种子区域的每个区域的静息状态功能连接(RSFC),作为创造性音乐经验的函数(通过我们的音乐创造力问卷进行评估)。在所研究的 11 个 ROI 中,有 9 个与大脑中总共 22 个簇显著相关,最显著的是位于双侧小脑、右额下回、中线丘脑(特别是mediodorsal 核)和内侧运动前区域。这些结果支持先前的报告(我们自己和其他人的报告)表明默认模式、执行和运动规划网络的区域与音乐创造力有关,而另外——有些出人意料——包括突显网络的作用可能比以前在音乐创造力研究中报道的要大得多。