Filippa Manuela, Monaci Maria Grazia, Young Susan, Grandjean Didier, Nuti Gianni, Nadel Jacqueline
Neuroscience of Emotion and Affective Dynamics Laboratory, Department of Psychology and Educational Sciences, Swiss Center for Affective Sciences, University of Geneva, Geneva, Switzerland.
Division of Development and Growth, Department of Paediatrics, Gynaecology and Obstetrics, University of Geneva, Geneva, Switzerland.
Front Psychol. 2020 Jun 3;11:1087. doi: 10.3389/fpsyg.2020.01087. eCollection 2020.
Imitation, both gestural and vocal, has been acknowledged to be at the origin of human communication (Donald, 1991). Music is often considered to be the first means of communication of emotion via both vocal and gestural synchronization (Malloch, 1999; Malloch and Trevarthen, 2009). Instrumental music is part of the human heritage for more than 35,000 years before our era (Aimé et al., 2020). However, very little is known about the acquisition of gestures that produce sounds (i.e., musical gestures) and their role in the development of music and musicality. In the present paper, we propose that studying early synchronous imitation of musical gestures is essential both for investigating the development of the early action-perception system and for outlining early music interventions during infancy. We designed double musical objects which can be used in preschool music education for prompting synchronic imitation of musical gestures between adult and child, and between dyads of infants. We conclude by proposing a novel pedagogical perspective in music education for the early years which links the privileged orientation of infants and children towards sound discoveries with the development of perception-action coupling via imitation of musical gestures.
模仿,包括手势和声音模仿,被认为是人类交流的起源(唐纳德,1991)。音乐通常被认为是通过声音和手势同步进行情感交流的第一种方式(马洛克,1999;马洛克和特雷瓦森,2009)。器乐是公元前35000多年前人类遗产的一部分(艾梅等人,2020)。然而,对于产生声音的手势(即音乐手势)的习得及其在音乐和音乐性发展中的作用,我们知之甚少。在本文中,我们提出,研究音乐手势的早期同步模仿对于调查早期动作感知系统的发展以及勾勒婴儿期的早期音乐干预至关重要。我们设计了双重音乐对象,可用于学前音乐教育,以促进成人与儿童之间以及婴儿二元组之间音乐手势的同步模仿。我们通过提出一种针对幼儿音乐教育的新颖教学视角来结束本文,该视角将婴儿和儿童对声音探索的优先取向与通过模仿音乐手势发展感知 - 动作耦合联系起来。