Macneal Peter, Hohman Marc H., Adlard Roger E.
Uniformed Services University/Madigan Army Medical Center
St Georges' NHS Trust
Rhombic flaps are versatile geometric local transposition flaps commonly utilized for reconstructing small to medium-sized skin defects, particularly after skin cancer resection in the head and neck area. However, their utility extends beyond this, proving effective in various anatomical regions and pathologies, including spina bifida, burn contractures, chronic pilonidal sinuses, and hand and breast reconstruction. Like other local flaps, rhombic flaps take advantage of skin laxity adjacent to a defect to permit reconstruction with skin with characteristics similar to those of the excised tissue. This approach enhances cosmetic outcomes compared to alternative reconstructive methods such as skin grafting and regional or free tissue transfer. The term "rhombus" originates from Euclidean geometry, denoting a quadrilateral with 4 equal-length sides and opposing equal acute and obtuse angles. Conversely, "rhomboid" refers to any parallelogram with 2 acute and 2 obtuse angles. "Rhombic" accurately describes flaps resembling a rhombus, while "rhomboid" pertains to those resembling a parallelogram. Russian surgeon Alexander Limberg first described the rhombic flap in 1945 and published his findings in English in 1966. Limberg's design features a characteristic quadrilateral rhombus shape, facilitating transposition through a 60° arc into corresponding skin defects (see Classic Limberg Rhombic Flap Design). In 1962, Claude Dufourmental refined Limberg's rhombic flap design, proposing a modification involving a narrower flap with a more acute rotation angle. This adjustment aims to facilitate closure and minimize the standing cutaneous deformity at the pivot point of transposition (see . Dufourmental Rhombic Flap Modification). When designing the defect, the acute angle (α) must fall between 60° and 75°. The flap itself is created by aligning the first incision (CE) to bisect the angle between the line of the short diagonal axis of the rhombus defect and its adjacent side, with the incision's length equaling 1 side of the defect. The flap angle (β) may equal the defect angle (α) or be slightly smaller if needed, providing flexibility in design and placement. Unlike the Limberg rhombic flap, the shape of the Dufourmental flap doesn't precisely match the defect; however, complete closure occurs through secondary movement of surrounding skin, similar to the Limberg flap. Advocates of the Dufourmental modification argue its superiority over the Limberg flap due to improved blood supply and easier donor site closure facilitated by a wider pedicle and a more adaptable design. Sebastian et al reported the Dufourmental flap's superior versatility in surgical reconstruction compared to the Limberg flap, particularly in chronic pilonidal disease (see . Limberg Rhombic Flap for Pilonidal Sinus). In 1978, Webster modified Limberg's rhombic flap design, incorporating a more acute 30° flap angle and an M-plasty to close the defect base (see Webster Rhombic Flap Modification). The narrower 30° flap angle aims to decrease tension during donor site closure. At the same time, the M-plasty divides the rotation arc between two 30° angles, enhancing tension distribution and reducing tissue distortion at the flap's pivot point. In Webster's original case series, favorable outcomes were reported, including reduced scar widening and areas of skin excess, attributed to a more balanced tension distribution. Like the Dufourmental modification, the Webster rhombic flap design necessitates significant secondary tissue movement for closure, as the flap's shape does not precisely match the defect. In 1987, Quaba and Sommerlad introduced a rhombic flap modification for reconstructing circular defects. This technique involves utilizing a rhomboid flap to reconstruct a round defect, with each side of the flap measuring two-thirds the diameter of the defect and a flap angle of 60° similar to Limberg's original description (see Comparison of Quaba-Sommerlad Modification and Classic Limberg Rhombic Flap Design.). The authors documented a series of 175 patients with head and neck skin defects reconstructed using Quaba-Sommerlad flaps. Advantages cited over the classic design included enhanced flexibility in flap transposition and donor site orientation, along with the absence of a need to sacrifice healthy tissue to create a rhombus-shaped defect. The Quaba-Sommerlad flap shares similarities with another rhomboid transposition flap known as the "note flap," first described by Walike and Larrabee in 1985 (see Note Flap). Named for resembling a musical eighth note in certain orientations, the note flap employs a quadrilateral flap to close circular defects. However, unlike the Quaba-Sommerlad rhomboid flap, the note flap's first limb is incised tangentially to the circular defect, making it distinct among rhombic flap variants. Additionally, the side of the note flap measures 1.5 times the diameter of the defect, rather than only two-thirds. Both the note flap and the Quaba-Sommerlad flap utilize 60° flap angles in their designs. Numerous authors have described multiflap variants involving 2, 3, and even 4 rhombic flaps. These variants have been applied to reconstruct larger defects and in areas with reduced pliability of adjacent skin. El-Tawil et al published a series of 8 patients with pilonidal sinus disease reconstructed with double rhombic flaps, resulting in low recurrence and complication rates and obviating the need for complex reconstruction. Additionally, successful reconstruction of meningomyelocele defects with triple and quadruple rhombic flaps has been reported, yielding positive patient outcomes. While numerous designs of rhombic flaps exist for various anatomical sites, this article primarily focuses on the widely reported Limberg flap method employed in reconstructing head and neck skin defects.
菱形皮瓣是一种通用的几何局部转位皮瓣,常用于修复中小型皮肤缺损,特别是头颈部皮肤癌切除术后的缺损。然而,其应用范围不止于此,在包括脊柱裂、烧伤挛缩、慢性藏毛窦以及手部和乳房重建等各种解剖区域和病症中都证明是有效的。与其他局部皮瓣一样,菱形皮瓣利用缺损附近的皮肤松弛度,用与切除组织特性相似的皮肤进行重建。与诸如植皮和区域或游离组织转移等其他重建方法相比,这种方法能提高美容效果。“菱形”一词源于欧几里得几何学,指的是一个有四条等长边且相对角为相等锐角和钝角的四边形。相反,“长菱形”指的是任何有两个锐角和两个钝角的平行四边形。“菱形的”准确描述了类似菱形的皮瓣,而“长菱形的”则适用于类似平行四边形的皮瓣。俄罗斯外科医生亚历山大·林伯格于1945年首次描述了菱形皮瓣,并于1966年用英文发表了他的研究结果。林伯格的设计具有独特的四边形菱形形状,便于通过60°弧转位到相应的皮肤缺损处(见经典林伯格菱形皮瓣设计)。1962年,克劳德·迪富尔门塔尔改进了林伯格的菱形皮瓣设计,提出了一种改进方案,即采用更窄的皮瓣和更锐角的旋转角度。这种调整旨在便于闭合,并使转位枢轴点处的皮肤站立畸形最小化(见迪富尔门塔尔菱形皮瓣改良)。在设计缺损时,锐角(α)必须在60°至75°之间。皮瓣本身是通过将第一条切口(CE)对齐,使其平分菱形缺损短对角线轴与其相邻边之间的夹角来创建的,切口长度等于缺损的一条边。皮瓣角度(β)可以等于缺损角度(α),或者根据需要略小,这在设计和放置上提供了灵活性。与林伯格菱形皮瓣不同,迪富尔门塔尔皮瓣的形状与缺损并不完全匹配;然而,通过周围皮肤的二次移动实现完全闭合,这与林伯格皮瓣类似。迪富尔门塔尔改良法的支持者认为,由于其血供改善以及更宽的蒂部和更具适应性的设计便于供区闭合效果更好,它比林伯格皮瓣更具优势。塞巴斯蒂安等人报告称,与林伯格皮瓣相比,迪富尔门塔尔皮瓣在手术重建中具有更高的通用性,尤其是在慢性藏毛疾病中(见用于藏毛窦的林伯格菱形皮瓣)。1978年,韦伯斯特改进了林伯格的菱形皮瓣设计,采用了更锐角的30°皮瓣角度和一个M形整形术来闭合缺损底部(见韦伯斯特菱形皮瓣改良)。更窄的30°皮瓣角度旨在减少供区闭合时的张力。同时,M形整形术将旋转弧分为两个30°角,增强了张力分布,减少了皮瓣枢轴点处的组织变形。在韦伯斯特最初的病例系列中,报告了良好的结果,包括减少瘢痕增宽和皮肤多余区域,这归因于更平衡的张力分布。与迪富尔门塔尔改良法一样,韦伯斯特菱形皮瓣设计也需要大量的二次组织移动来闭合,因为皮瓣的形状与缺损并不完全匹配。1987年,夸巴和索默拉德引入了一种用于重建圆形缺损的菱形皮瓣改良法。该技术涉及使用一个长菱形皮瓣来重建圆形缺损,皮瓣的每条边测量为缺损直径的三分之二,皮瓣角度为60°,类似于林伯格的原始描述(见夸巴 - 索默拉德改良法与经典林伯格菱形皮瓣设计的比较)。作者记录了一系列175例使用夸巴 - 索默拉德皮瓣重建头颈部皮肤缺损的患者。与经典设计相比,其优点包括皮瓣转位和供区定位的灵活性增强,以及无需牺牲健康组织来创建菱形缺损。夸巴 - 索默拉德皮瓣与另一种称为“音符皮瓣”的长菱形转位皮瓣有相似之处,该皮瓣由瓦利克和拉腊比于1985年首次描述(见音符皮瓣)。音符皮瓣因其在某些方向上类似音乐八分音符而得名,它采用四边形皮瓣来闭合圆形缺损。然而,与夸巴 - 索默拉德长菱形皮瓣不同,音符皮瓣的第一条肢体是与圆形缺损相切切开的,这使其在菱形皮瓣变体中独具特色。此外,音符皮瓣的边长为缺损直径的1.5倍,而不仅仅是三分之二。音符皮瓣和夸巴 - 索默拉德皮瓣在设计中都采用了60°皮瓣角度。许多作者描述了涉及2个、3个甚至4个菱形皮瓣的多皮瓣变体。这些变体已被应用于重建更大的缺损以及相邻皮肤柔韧性降低的区域。埃尔 - 塔维尔等人发表了一系列8例使用双菱形皮瓣重建藏毛窦疾病的患者,结果复发率和并发症率较低,无需进行复杂的重建。此外,有报道称使用三重和四重菱形皮瓣成功重建了脊髓脊膜膨出缺损,患者预后良好。虽然存在多种针对不同解剖部位的菱形皮瓣设计,但本文主要关注广泛报道的用于重建头颈部皮肤缺损的林伯格皮瓣方法。