Boccia Maddalena, Guariglia Paola, Piccardi Laura, De Martino Giulia, Giannini Anna Maria
Department of Psychology, "Sapienza" University of Rome, Via dei Marsi, 78, 00185, Rome, Italy.
Cognitive and Motor Rehabilitation and Neuroimaging Unit, IRCCS Fondazione Santa Lucia, Rome, Italy.
Atten Percept Psychophys. 2020 Oct;82(7):3266-3272. doi: 10.3758/s13414-020-02093-0.
Esthetic experience is the result of the coordination of different cognitive processes. It has been widely reported that top-down processes of orienting of attention interact with bottom-up perceptual facilitation occurring during esthetic experience of artworks. Here we use whole-part ambiguity as a tool to test the effect of global and local prime on esthetic appreciation of complex visual artworks. To this aim 139 healthy young individuals completed an esthetic judgment of Arcimboldo's ambiguous artworks, which were preceded by a local or global prime. Their perceptual style was also assessed using a Navon task. We found that local prime significantly enhanced esthetic appreciation of ambiguous portraits. Also, we found that prime level interacted with individual's perceptual style: participants showing local perceptual style liked less ambiguous portraits when they were preceded by global prime. Overall, the present findings shed some light on the processes involved in esthetic experience, pointing towards a pivotal role of re-direction of attention towards perceptual features of the artworks and its interaction with individual factors, such as perceptual style.
审美体验是不同认知过程协调的结果。有广泛报道称,自上而下的注意力定向过程与在艺术品审美体验过程中发生的自下而上的感知促进相互作用。在这里,我们使用整体-部分模糊性作为一种工具,来测试全局和局部启动对复杂视觉艺术品审美欣赏的影响。为此,139名健康的年轻人完成了对阿尔钦博托的模糊艺术品的审美判断,这些艺术品之前有一个局部或全局启动。他们的感知风格也使用纳冯任务进行了评估。我们发现局部启动显著增强了对模糊肖像的审美欣赏。此外,我们发现启动水平与个体的感知风格相互作用:表现出局部感知风格的参与者在看到全局启动后对模糊肖像的喜爱程度较低。总体而言,目前的研究结果揭示了审美体验中所涉及的过程,指出了将注意力重新导向艺术品的感知特征及其与个体因素(如感知风格)相互作用的关键作用。