Fingerhut Joerg, Prinz Jesse J
Berlin School of Mind and Brain, Humboldt-Universität zu Berlin, Berlin, Germany.
The Graduate Center, City University of New York, New York, NY, United States.
Prog Brain Res. 2018;237:107-128. doi: 10.1016/bs.pbr.2018.03.004. Epub 2018 May 3.
There has been much work on what people appreciate in art, but comparatively little on what feelings of appreciation consist in. What do people feel when they encounter artworks that they value? We propose that the value of art is registered by the emotion of wonder. Departing from some standard approaches in empirical aesthetics, we focus on the appreciation of art as art rather than mere aesthetic preference. Aesthetic preferences can have many different correlates outside the domain of art (as when we select graphically appealing consumer items or judge the attractiveness of people), and preference judgments with respect to art can reflect nonaesthetic considerations and tell us rather little about art appreciation. We argue that when it comes to the appreciation of art as such, wonder plays a special role. We introduce wonder and compare it to other candidates that are discussed in the recent empirical literature, such as beauty, interest, and being moved. We analyze wonder and emphasize three subemotional components: cognitive perplexity, perceptual engagement, and a sense of reverence.
关于人们欣赏艺术的内容已有很多研究,但对于欣赏的情感构成却相对较少涉及。当人们遇到他们珍视的艺术作品时会有怎样的感受?我们认为艺术的价值是通过惊叹之情来体现的。与实证美学中的一些标准方法不同,我们关注的是将艺术作为艺术来欣赏,而非仅仅是审美偏好。审美偏好在艺术领域之外可能有许多不同的关联因素(比如我们选择外观吸引人的消费品或评判人的吸引力时),而关于艺术的偏好判断可能反映非审美因素,对艺术欣赏的说明甚少。我们认为,就艺术本身的欣赏而言,惊叹起着特殊作用。我们引入惊叹,并将其与近期实证文献中讨论的其他候选情感,如美、兴趣和感动进行比较。我们分析惊叹,并强调其三个亚情感成分:认知困惑、感知参与和敬畏感。